Yep, I’m getting married in a few days, so I figured it was time to put together a love-themed radio show. I tried to keep it centered around positive love songs, but with indie music, but a few oddities slipped in. In true form, I also made it my latest vinyl-only night.
Read More »Fense is Getting Married! Love Song Night on KSVR
It’s summer here in Skagit, and that means the Farmer’s Market is back, it’s time for summer house projects, the Seattle to Portland bike ride is coming up, and the days are, quite frankly, way too long. Light at 4am, light until 10pm; it makes for some early mornings and late (yeah, I’m getting old) evenings. Summer also means less time for FensePost, so bear with me/the site. Especially during the month of July.
Read More »KSVR Radio Show: From a Garage on a Hot Summer Day
I received a message from Stuarto requesting I cover his show in the late afternoon hours of Friday, March 8. After a minute or two to think about it, I agreed. In all the times I’ve covered for his show over the past year and a half, I have never done a show that gives a nod to his show, which often features more mainstream music including a handful of tunes from the 60s and 70s. For March 8, I decided this needed to change.
Read More »On Air at KSVR: March 8, 2013 Playlist
I’ve been in a weird place musically of late. I’m a bit scattered, all over the map. My affinity for light, soft and playful folk has returned, but I’m also crushing on slacker pop and dream pop at the moment. Pretty hard, thank to bands like Darlings and Indians. I shouldn’t be surprised at this disjointedness; I have always had diverse desires when it comes to music and varied playlists like this one are a common occurrence.
Read More »On Air at KSVR Mount Vernon: February 1, 2013 Playlist
A long night, but no matter. I learned long ago that spending a bit extra time doing something you love… well, it’s a good thing! Stuarto sent along a text asking if I could pick up his 8pm show and I obliged. Being a mere few hours from show time, I just threw together an array of vinyl to mix in and ended up timing it almost perfectly.
Read More »Fense’s Radio Show: December 7, 2012 
Man, what a wild week. And I’m not talking about the wild you indie folk are used to, likely boozing it up and partying every night. I’m talking about the working life, the stress of the job, the busy days and exhaustion-laden nights. Going to bed at 9:30; I feel old. Read More »Fense’s Radio Show: February 24, 2012
This show began like any other, but without the transition difficulties. All was smooth. The music, on the other hand, was not. After a long, satisfying week, I was in need of some loud, abrasive rock music. But it wasn’t all like that. Due to the cold weather, I mixed in some beach pop, fuzzy dream pop and good old garage rock and pop.
Read More »Fense’s Radio Show: November 18, 2011 
Jeremy Jay debuted on the scene in 2007 with singles for Airwalker and We Were There. I snagged both of those at the time, and I really enjoyed them. His debut LP, A Place Where We Could Go, too, was impressive. He then released a few more LPs and a few more singles, and that leads us to his fourth album, Dream Diary. Born and raised in California, Dream Diary has that state’s sound — it’s sunny, but it irks to get away from the cookie cutter nature rampant in suburbia. Read More »Jeremy Jay: Dream Diary [Album Review]
So this is it, the first FensePost Podcast. A few weeks ago I sat down and compiled a mix of various songs; some new, some old, most finding some relation to garage rock or garage pop. Hence the title, From The Garage. The theme is loose, so some bands fit and some don’t. There are sixteen songs total here, stemming from local Seattle and Portland acts on across the world. New Zealand, Sweden, Canada… you get the picture. Enough banter — listen to the FenseCast already. Read More »FensePost Podcast Series: FenseCast #1, From The Garage
Jeremy Jay is an old soul. His young demeanor, as pictured on the cover of this lovely single, is much more mature than his age. Similarly, the music he makes spans an age much greater than his. The songs, while not necessarily theatrical, have a vivid visual element to them that assists in creating a quite expansive library of aesthetic features. Were Jim Morrison to have instead spent his time with the creatives in the Chelsea Hotel, he may have sounded like this. Read More »Jeremy Jay: Breaking The Ice [7″ Review]
