I didn’t post at all on FensePost last week. That’s crazy. I had been on a roll, pumping out posts on a daily basis, then I hit a wall and needed an immediate break. But my breaks are typically filled with, well, something else. They’re aren’t true breaks, in the informal-synonym-for-vacation sense of the word. (more…)

I wasn’t originally planning on doing a show this evening, but decided to take my normal spot behind the microphone anyway. So the playlist didn’t begin coming together until the evening of. There was no theme, it was all variety; folk to electronic to noise rock. (more…)

I entered the studio at about 9:35pm, meeting up with Stuarto, who has the time slot before mine. A quick interview about 15 minutes before my show, another few songs, and I was up. It was requested that I attempt a transition, and as indie music is my theme, and world music is his, I figured I’d kick things off with an oldie, but goodie: “The Gulag Orkestar” by Beirut. (more…)

A sad admission: Travels in Lowland, the last album by The Migrant, should have easily been among my top albums of 2010. Thankfully, Denmark’s Bjarke Bendtsen is back with Amerika, set for an October 25 release. “The Hurricane” is the first track to be released from the album. In it The Migrant creates orchestrated folk-pop perfection. (more…)

It appears there is truth behind the popular phrase about time speeding by the older you get. After hitting the ripe age of 30 back in September and taking a nice little road trip from my home north of Seattle to the Southwest town of Albuquerque at the end of that month, time seems to have slipped by with ease. And it appears I haven’t done one of these podcast things since July! (more…)

Last month… actually, two months ago now that it’s officially November, Danish artist Bjarke Bendtsen released his debut album under the guise of The Migrant. That work is titled Travels In Lowland and it is a wonderful mix of pop and psychedelic folk. Bendtsen’s life seems a dream; he spent the past year traveling through the states with a guitar and a suitcase only to return to Denmark to record this album. And he did so from a cottage on the coast. That is, I assume, where the cover art comes from. Then he returned to the states to record his second, which we will see next year. (more…)