Last year, Burger Records released the first volume of The Wiener Dog Compilation. Yesterday, Burger announced the second volume, which again benefits William Keihn’s dachshund pop Ghoulie. And, like the previous comp, this one includes a slew of unreleased material by Burger-friendly artists.
Finally, I present to you my top 10 records of 2012. Once again, we begin with a pair of honorary mentions — the recent single that’s leading into my most anticipated album of 2013, and an album I know would have made the top 50 had I checked it out in advance of compiling and…
November 18 was the second vinyl only show, featuring an array of tunes from the likes of Sambassadeur, The Mary Onettes, Holiday Shores, Devon Williams, Le Jonathan Reilly, Christmas Island and many more. Included within were several from Sweden’s Labrador Records thanks to a recent package from the label, and I also played several tracks…
It is happening again. After two dormant weeks of doing virtually nothing (OK, very little is more like it), evenings this week were spent spinning vinyl by The Smiths and painting Andi’s sewing room in preparation for putting in the bamboo flooring this weekend.
Man, what a wild week. And I’m not talking about the wild you indie folk are used to, likely boozing it up and partying every night. I’m talking about the working life, the stress of the job, the busy days and exhaustion-laden nights. Going to bed at 9:30; I feel old.
White Fence is the project of Tim Presley (Darker My Love), and it rocks. Presley joins fuzzy psychedelic sounds with hazy garage pop on “Swagger Vets and Double Moon”. It’s similar in its pop sensibilities to the track “Lillian (Won’t You Play Drums)” off Is Growing Faith, but it’s even catchier thanks to the psychedelic…
I got pulled over tonight. Nothing big, just a bad taillight. The cop may have thought I was trying to evade him, pulling into the dark, always vacant Skagit Valley College parking lot late on a Friday night. As soon as I rounded the corner, his lights went on.
