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Saâda Bonaire

Saâda Bonaire: You Could Be More As You Are

Saâda Bonaire

On their announcement of their forthcoming reissue of Saâda Bonaire’s lone single from the early 80s, Captured Tracks made note to file the group under Why was this band not huge?. Makes perfect sense; listening to the band’s single “You Could Be More As You Are”, one is adorned with sounds somewhere between Kraftwork (the song was produced in their studio) and Stereo Total. Read More »Saâda Bonaire: You Could Be More As You Are

Juan Wauters

Juan Wauters: Water

Juan Wauters

Since releasing Play Silver Nickels and Golden Dimes on Hardly Art a few years back, The Beets’ front-man Juan Wauters has focused his creative efforts on a solo project. He continues to possess a strong Lou Reed/Velvet Underground-meets-Syd Barrett influence. “Water” is the latest track to surface from Wauters and the first off his forthcoming early 2014 LP N.A.P. North American Poetry on Captured Tracks. Read More »Juan Wauters: Water

White Fence (band)

Burger Records Announces “The Wiener Dog Comp 2: The Ghoulie Tape”

White Fence (band)

Last year, Burger Records released the first volume of The Wiener Dog Compilation. Yesterday, Burger announced the second volume, which again benefits William Keihn’s dachshund pop Ghoulie. And, like the previous comp, this one includes a slew of unreleased material by Burger-friendly artists. Read More »Burger Records Announces “The Wiener Dog Comp 2: The Ghoulie Tape”

Well, I Don't See Why Not: Volume 4

FensePost Premiere: Antiquated Future Releases “Well, I Don’t See Why Not: Volume 4” Tomorrow

Well, I Don't See Why Not: Volume 4

FensePost is excited to premiere a few new tracks from the latest compilation by Portland, OR and Olympia, WA lo-fi label Antiquated Future. The release, Well, I Don’t See Why Not: Volume 4 (Preorder here) is out tomorrow and will feature tracks from mostly unknown, under-appreciated artists. Read More »FensePost Premiere: Antiquated Future Releases “Well, I Don’t See Why Not: Volume 4” Tomorrow

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