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Candy Claws Online World Tour: Bellingham Premiere

An online tour: what a great concept. It allows a band with no means of world exploration (i.e. minimal cash, unacceptable transport, no Samsonite baggage, etc.) to tour the world through the eyes of blogs. FensePost is excited to premiere (for Bellingham and the rest of the world) the Candy Claws video for “Island Grows”. So come one, come all; see the wondrous Candy Claws, one of 2009’s hottest new acts, perform their songs acoustically in videos premiered on sites that span the world.

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Charles Leo Gebhardt IV: Unfaithful [Album Review]

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In defining folk rock, one rarely sees an association made with rockabilly. But it’s a pertinent inclusion in the music Charles Leo Gebhardt IV makes. On his recent GGNZLA Records EP, Unfaithful, it’s the jangle in his guitar – that almost country sound that definitely fits the rock genre (as opposed to jangle pop). “Look Out, Look In” and “Better At Love” have that old-time 50s rock feel, which fits the rockabilly persona, but it’s not nearly as rockin’ as some of those artists tend to be, hence the folk. Read More »Charles Leo Gebhardt IV: Unfaithful [Album Review]

The So So Glos: Viva Radio’s Me + You Pt. 63

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This week we bring you another, by way of Viva Radio’s Me + You, exclusive track. This time from Brooklyn tropical punk group The So So Glos. The song “Island Loops” is given somewhat of an acoustic makeover, dropping out a small amount of the percussion and the more ferocious aspects of the electric guitars. These brothers (yes, a band of brothers) take the tropical sound that seems to have defined early 2008 and then some, and give it a punk twist that is much more their own. You can hear it on “Island Loops”; it’s intrepid and nonchalant, relaxed and carefree. Read More »The So So Glos: Viva Radio’s Me + You Pt. 63

Cars & Trains: Intimidated By Silence [mp3]

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Experimental electrofolk is what you get with Portland’s Cars & Trains. The one man band of Tom Filepp is set to release their new LP, The Roots, The Leaves, early next year. “Intimidated By Silence” is the first single from the album, and it finds Filepp utilizing laptop-created electronic sounds and an array of accompanying instrumental samples. The lyrics are poetry, and the music is calming yet erratic. The combination is an astonishing feat of brilliance that makes The Roots, The Leaves an easy pick for one of January’s most anticipated releases. Read More »Cars & Trains: Intimidated By Silence [mp3]

Mark Matos & Os Beaches: Words of the Knife [Album Review]

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What do you get when you combine bay-area love-folk and southwest obscurity with a pinch of world music influence? Well, all corniness aside, you would have Mark Matos & Os Beaches and their album Words of the Knife. Mark Matos, formerly known as Tucson-based folk vagabond Campo Bravo, brings a stellar collection of ParrotHead friendly tracks that make him sound like a Portuguese Jimmy Buffett. Alongside Os Beaches, here is an album you will be humming to yourself for days to come. Read More »Mark Matos & Os Beaches: Words of the Knife [Album Review]

Animal Collective: Grass [UK Import Single Review]

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With more recently-released 7″ singles, you never really know if it’s 33 & 1/3 RPM or 45 RPM. Many do not say. With this single, I started out on 33 & 1/3 and it took me a moment to realize it should have been on 45. That’s the beauty of Animal Collective: it could almost work on both levels. Animal Collective is one of those special groups that will never hit mainstream, but that doesn’t mean it’s not good music. The group’s distinct sound is made up of impossible-to-decipher lyrics, shrieks, and random loops. Read More »Animal Collective: Grass [UK Import Single Review]

Collider: Time Concerns [mp3]

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“Time Concerns” is filled with echoing guitars that swirl and ring through the atmosphere while dreamy vocals create an aura-like melody. Not quite pop, not quite rock, but some concoction containing incremental elements of both, Collider‘s first single off their upcoming Big Bang Machine (slated for release the last day of 2009) is, on one hand, a throwback to the shoegaze of the 90s, and on the other a portrayal to the post-shoegaze of today. Closing in on dream-pop, Collider finds many of the sub-genre’s sensibilities but expands on them with louder, more ferocious volume. Read More »Collider: Time Concerns [mp3]

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