It seemed wrong to do anything outside a tribute to the late Jason Molina. Since learning of his passing the other weekend, Songs: Ohia and Magnolia Electric Co. have been dominating my playlists; in particular the former. Given this fact, I focused on the sub-genres Molina often found himself in – folk, folk-rock, and alt-country….
I haven’t had much time of late to write. The house project of repainting walls, painting trim, pulling up carpets, and laying down bamboo has absolutely dominated my time. That and working on my BMW, which in the past few weeks has received a full tune-up (with exception of replacing points and cleaning the carb).
Man, what a wild week. And I’m not talking about the wild you indie folk are used to, likely boozing it up and partying every night. I’m talking about the working life, the stress of the job, the busy days and exhaustion-laden nights. Going to bed at 9:30; I feel old.
Stuarto Glasser, host of the All Around the World Music Show, called me up a little after 5pm Friday and asked if I could fill in for him. Thinking it would be a great way to attract a few more listeners I agreed. I headed home and put together a playlist of some of my…
I entered the studio at about 9:35pm, meeting up with Stuarto, who has the time slot before mine. A quick interview about 15 minutes before my show, another few songs, and I was up. It was requested that I attempt a transition, and as indie music is my theme, and world music is his, I…
Bill Callahan’s latest LP, Apocalypse, is a difficult one to grasp. Such is the nature of Bill Callahan, whose music has always (even under Smog) been a bit on the fringe. Rarely do we pull from other reviews, but it must be noted that Pitchfork pointed out the contradictory nature of Callahan’s music — and…
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