Skip to content
Home » Album Reviews » Page 59

Album Reviews

The Ginger Envelope Band

The Ginger Envelope: Invitation Air [Album Review]

In Invitation Air, The Ginger Envelope‘s follow-up to Edible Orchids, the band displays an impressive progression in songwriting and instrumental capabilities. Cohesive is its nature; this album goes very well alongside their earlier work. But from the opening track, “Turn Into Tempests”, it’s readily apparent that a change has occurred, one that finds The Ginger Envelope giant leaps ahead in their ability to wow the listener.

Read More »The Ginger Envelope: Invitation Air [Album Review]

Tom Brosseau: Posthumous Success [Album Review]

Tom Brosseau

It’s astonishing how earnest and endearing a lone man with a guitar can be. On occasion, such an artist comes along that can move people based on this minimalism. Tom Brosseau has the capabilities to do so, and his latest LP, Posthumous Success proves it. Opening tune “Favourite Colour Blue” includes a rambling guitar and folk-worthy howls. Read More »Tom Brosseau: Posthumous Success [Album Review]

Peter Moore: One Ride [Album Review]

Peter Moore

Peter Moore has established himself as a true artist of the weird with his vocal and keyboard talents for The Blue Man Group. And now he has released One Ride, a sort of soundtrack affiliate to his one man show seen through the Boston music scene. He’s found the opportunity to master this beautiful concept album on tour, at home, and in the den of conformity homicide of his own brain. Read More »Peter Moore: One Ride [Album Review]

Allt Är Musik: Skapelseberättelsen [Album Review]

Allt Är Musik

Allt Är Musik is somewhat of a rarity in that Andreas Sjögren, the primary force behind Allt Är Musik, sings in his native tongue. The typical Swedish artist tends to sing in English. On Skapelseberättelsen, Allt Är Musik creates lo-fi pop tunes that blend acoustic guitars with drone-ridden synths, the combination of which is quite peaceful. Read More »Allt Är Musik: Skapelseberättelsen [Album Review]

Cinema, Cinema: Exile Baby [Album Review]

Cinema, Cinema

Brooklyn New York has housed many musicians from every background for well over a hundred years. Traces of this fine burrough can be found throughout the history of instrumental and vocal companionship. But, nothing of the likes of Cinema, Cinema has really ever been heard. The complete and utter lack of traditional vanity on their third release, Exile Baby, is proof of this transcending duo’s ability to represent their home base on an entirely different front. Read More »Cinema, Cinema: Exile Baby [Album Review]

Cock And Swan: Mashmallow Sunset

Cock And Swan

As we move through time, our bodies mature. In most cases, so do the capabilities our minds possess; we are able to piece together more and more complex puzzles, complete more difficult challenges and tasks that we or others require, and reach, hoping to accomplish, all those goals that once seemed so unfathomably far away. Within our minds, we are capable of progressing. Ideally, such a concept should also relate to music: the instrument holder advances in their ability to perform as well as construct. While this is not always the case, it is with Marshmallow Sunset, the sophomore release by Cock And Swan via their personal DIY label Dandelion Gold. Read More »Cock And Swan: Mashmallow Sunset

Bear In Heaven

Bear In Heaven: Red Bloom Of The Boom [Album Review]

You rarely hear the words avant-garde associated with pop music. Yet the eclectic and sometimes ear-wrenching sub-genre can be found in all corners of music, but perhaps most notably in jazz through classic artists like Ornette Coleman. In some ways avant-garde is simply a pretentious way of saying experimental. But the definition of the term is merely a push of the boundaries away from the norm. That, then, brings up the question what is the norm?

Read More »Bear In Heaven: Red Bloom Of The Boom [Album Review]
Acid House Kings

Acid House Kings: Do What You Wanna Do [Album Review]

As I’ve noted countless times in my reviews, I am a firm believer that the sweetest and best of indie-pop from around the world comes from Sweden. While The Legends kicked off this phase, my attention was not focused on that country until I discovered label mates Acid House Kings. With the success of their cherished Sing Along With The Acid House Kings (2005, Labrador) comes the smash hit single “Do What You Wanna Do” in a Single/EP of the same name, this time on the Florida label TwentySeven Records with four exclusive tracks–one of which is exclusive to the US release of the single.

Read More »Acid House Kings: Do What You Wanna Do [Album Review]

Fishboy: Nom [Album Review]

Fishboy at the Fremont Troll in Seattle

In retrospect, Fishboy‘s Albatross should have garnered my #1 album slot for 2007. Seriously: the album remains one of the most-listened-to albums even today. The oft dubbed Twee Rock Opera was a truly brilliant concoction. And, as front-man Eric Michener quietly hints at a follow-up, he releases Nom, a nine-song EP consisting of rejects from the original concept album. Read More »Fishboy: Nom [Album Review]

Follow by Email
YouTube
YouTube
Instagram