Within the first listen of his self-recorded and self-written EP, The Bread Maker’s Blues (2012), I realize that there is a lot to love about Tom Eddy’s music. His voice is instantly likable with his M. Wardian vocals in “Welfareâ€. And in “Sunday Market/Tear Downâ€, he not only gives a Dave Matthews vibe, but also…
Adam Hill‘s style of folk always donned the traditional styling so often seen as timeless within the centuries-long timeline the genre encompasses. Them Dirty Roads is, for the most part, no exception. But when the fiddles and acoustic guitar are removed, as found in opening track “Prelude”, something else happens — Hill produces a sound…
Discard the fact that Ben Meyercord is a friend of mine. Discard the fact that he often contributes to this website. I did. Listening to Meyercord’s debut EP Childish, I wanted to take on a fresh perspective. I wanted to be endearing and honest in my recount of the EP, so that’s how I approached…
FensePost reviews Nothing Is Precious Enough For Us by Death Vessel
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