Axxa/Abraxas is the moniker of one Ben Asbury, a man creating psychedelic stoner pop that very much fits the vein of Captured Tracks, who released the band’s self-titled LP back in what looks like early March. I’m just now catching wind of this album, and it has taken me by storm.
On their announcement of their forthcoming reissue of Saâda Bonaire’s lone single from the early 80s, Captured Tracks made note to file the group under Why was this band not huge?. Makes perfect sense; listening to the band’s single “You Could Be More As You Are”, one is adorned with sounds somewhere between Kraftwork (the…
Since releasing Play Silver Nickels and Golden Dimes on Hardly Art a few years back, The Beets’ front-man Juan Wauters has focused his creative efforts on a solo project. He continues to possess a strong Lou Reed/Velvet Underground-meets-Syd Barrett influence. “Water” is the latest track to surface from Wauters and the first off his forthcoming…
This week Minks released their sophomore LP on Captured Tracks. The new album, Tides End, sees the band progressing beyond their lo-fi, Joy Division-esque early days of By the Hedge. They’ve grown into a much more dreamy sound; one less harsh and abrasive than found on their debut.
I recently posted a list of ten bands that I should have checked out last year and there was an overall theme to the ten: several were from the Woodsist label. Beach Fossils has the sound of that label, and it’s no surprise; the band released a 7″ via Woodsist late last year. Their sound…
