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Ödland: The Caterpillar [Album Review]

Ödland

The Caterpilar by Ödland is a concoction of classically-trained pianist Lorenzo Papace of Lyon, France. Vocals (very likely through influence by French masters like Serge Gainsbourg) are contributed from actress and enchantress Alizée Bingöllü. Isabelle Royet-Journoud can be found on ukulele and environmental sounds, and Léa Bingöllü provides stringed accompaniment in the form of violin. These four individuals are Ödland, a French folk/classical group whose music is beautifully peaceful and unmistakably original. Read More »Ã–dland: The Caterpillar [Album Review]

Bluebridge Quartet: Adjusted For Low Noise Tape [Album Review]

Bluebridge Quartet

Sometimes all you need is to slap on that scratched up old copy of Kind Of Blue by Miles Davis, pour yourself a stiff glass of Cabernet Sauvignon, and crank up the volume knob. For you jazz enthusiasts out there, you know exactly what I’m talking about. There’s something inherently cool about drinking red wine amidst your record collection while a classic jazz album cracks and pops over your speakers. It’s primo stress relieving material. Read More »Bluebridge Quartet: Adjusted For Low Noise Tape [Album Review]

Cantaloup: On A Hill Not Far Away [Album Review]

Cantaloup

Thomas Peter’s brainchild Cantaloup offers a vibrant and enduring stimulus with the distinctive release, On A Hill Not Far Away; it is a record engorged with antiquity, and sounding like voices in the background of a beautiful European mountain. For anyone under the impression that Germany only breeds strange techno/metal artists, you are in for a rude awakening with this one. Read More »Cantaloup: On A Hill Not Far Away [Album Review]

Le Mépris: Le Mépris [Album Review]

Le Mépris is Reiko Matane

Contrary to what many much older than myself would believe, the best instrumental music is typically reserved not for the classical genre. It’s a mash of classical with… something else – be it electronic, folk, or whatever. Sure, there are some more contemporary exceptions, like Kaada and the epic Johnny Greenwood (I’m thinking his score for There Will Be Blood here). But the mashup allows for something a bit more unique, typically. Read More »Le Mépris: Le Mépris [Album Review]

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