A Music Blog. Once in WA, now in Plano, TX.
It’s spreading–this craze to create a Pandemic Playlist. And I caught it. As we all–or, at least the smarter of us non-essentials–self-isolate at home, it’s given many of us time to tackle assorted projects, renew our personal goals, reconnect with folks we lost track of in the obsessive quest for the almighty dollar, and, finally,…
On a rainy Monday 21 days ago, I pulled my truck out of my garage in Washington state for the last time, my motorcycle angled in the bed to fit and a house plant strapped into the seat beside me. I was on my way to Texas…just as we saw cases of Coronavirus, also known…
In the process of compiling my Best of 2019 list, I came across a few vinyl reissues worthy of highlighting. I was going to add this as a bonus to that post, but it grew into something worthy of its own. Here are three noteworthy 2019 reissues on vinyl that I found worthy enough to add to my collection.
2019 saw some great releases. Here are ten I felt were worthy of adding to my collection. This list is far from comprehensive, but as of right now it’s my top 10.
“There’s a lot to unpack in the listener’s guide and sections,” notes Gallagher. “The idea is for my sons to uncover the hidden and more sophisticated things as they grow.”
Psychedelia and shoegaze meet cowboy couture. Orville Peck is one of the year’s most exciting new artists, and he’s received critical acclaim and praise across the interwebs.
Throughout Smooth Big Cat, Stone continues the overly hazy, dreamy, late summer evening pop he gave us on that debut release. It stands on its own, though, still full of swagger but with even more standout tracks than before.
“I Don’t Need Love, I’ve Got My Band” sees Swedish band The Radio Dept. reissuing a compilation of two early EPs on their new label Just So Records.
Bradford Cox has always been a fascinating character, and “Timebends” continues to cement him and Deerhunter as one of the most intriguing installments in indie music today.
Berman was known for lyrical prowess. He was the master at painting vivid pictures–happy, quirky, sad, heartbreaking–with this poetry and adding to it equally alluring instrumentation.