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Andy Fenstermaker

Andy Fenstermaker is a music lover, writer, marketing professional, and entrepreneur who has dedicated his life to sharing his passion for music with others. He is the founder of FensePost, a renowned music blog that has been sharing the latest and greatest in indie music since 2006. Andy has always been fascinated by the power of music to connect people, and he started FensePost with the aim of sharing his love of music with others. Andy developed a passion for music at a young age. Born and raised in the Pacific Northwest, Andy grew up surrounded by a vibrant music scene that left an indelible mark on him. He attended Washington State University, where he studied Communication and Business. He holds a BA in Communication and a Masters in Business Administration.  After graduating, Andy started writing about music and created FensePost as the outlet. The blog has a strong focus on indie music, but also covers a range of other genres including folk, indie pop, psychedelic, garage rock, and experimental.  Andy and the blog relocated to the Dallas/Fort Worth Metroplex in 2020.

Camera Obscura

Camera Obscura: The Sweetest Thing [Video]

It is no secret that I have what some would clinically deem an unhealthy fascination with that we call the moustache. I’ve sported one for several years now; it’s red. Well the latest video from Camera Obscura finds the band’s mastermind, Traceyanne Campbell, doing the same. Yeah, it’s fake (of course), but that doesn’t matter. Like all Camera Obscura videos, this one features a unique little storyline both fun and creative.

Read More »Camera Obscura: The Sweetest Thing [Video]

Girls: Hellhole Ratrace [Video]

Girls, Band

What a simple concept, this video. “Hellhole Ratrace” by San Francisco’s Girls is an easy pick for one of the better songs of 2009, and this video, albeit simple in nature, looks to follow suit. The video merely features slow-motion party footage, going in and out of focus. And it’s brilliant! It reminds me of my slightly younger days, say the mid twenties; those nights with friends at the local pub getting drunk on the most excellent of microbrews and staggering off into the night after last call, of chill house parties that yielded similar results, of flat-out good times. “Hellhole Ratrace” wouldn’t be the same were it not for nostalgia; it’s somehow better, that longing for the past. Read More »Girls: Hellhole Ratrace [Video]

Open Choir Fire: Dirt Bathed And Quilted [Album Review]

Open Fire Choir

Call it indie rock, or call it power pop; however you label it, Open Choir Fire‘s new LP, Dirt Bathed And Quilted is flat out good. There’s an unquestionable 90s influence focused primarily on the Northwest region, which is no surprise as the band hails from Seattle. “Killing The Messenger” is a hard-hitting rocker, while its successors in “Big Regret” and “You Should Take The Bus” take it down a notch but are no less intricate, powerful or yes, even sophisticated. Read More »Open Choir Fire: Dirt Bathed And Quilted [Album Review]

The Pains Of Being Pure At Heart: Higher Than The Stars [Album Review]

The Pains Of Being Pure At Heart

The Pains Of Being Pure At Heart is definitely one of this year’s biggest hype bands, and it’s obvious why: their fuzzy pop is undeniably catchy and not overly drowned in the forced underproduction that can often plague the sub-genre. After a wildly successful self-titled debut LP, they return with Higher Than The Stars, an EP whose title track matches the best tunes in the TPOBPAH library thus far. Read More »The Pains Of Being Pure At Heart: Higher Than The Stars [Album Review]

Damon And Naomi [Show Preview]

Damon & Naomi

Damon And Naomi are headed to Seattle next Tuesday, and here are a few reasons you should go. First, of course, is their history. The duo was part of the epic band Galaxie 500. Second, their songs are filled with a mystical and orchestrated folk beauty. Just listen to the lovely “Cruel Queen” and the epic “My Flower”. (The latter jumps off the map in the bridge with a wicked noisy flute part.) These are songs that simply BEG to be experienced live. Third, A Hawk & A Hacksaw is also on the bill. Fourth, they haven’t toured in quite a while. Fifth, they’ve got some new albums out (a triage of releases that feature their favorite tracks from their old days on Sub Pop. Finally, and perhaps most importantly, because I said so. Not convinced yet? Then there’s something seriously wrong with you. Period. Read More »Damon And Naomi [Show Preview]

Letters & If It Ain’t Breakfast, Don’t Fix It: Scattered Areas Where A Thousand Follow In Likeness [Album Review]

Letters & If It Ain't Breakfast, Don't Fix It

One of last year’s best albums was In Case We Lose What We Have, by Olympia band Letters. It made number 23 of my favorite albums of the year. Well they’re back and they’ve joined forces with If It Ain’t Breakfast, Don’t Fix It. The DIY folk of Letters works almost too well with the wild noise of If It Ain’t Breakfast. The collective has created something outstanding that can only be dubbed lo-fi noise folk. Read More »Letters & If It Ain’t Breakfast, Don’t Fix It: Scattered Areas Where A Thousand Follow In Likeness [Album Review]

David & The Citizens: David & The Citizens

David And The Citizens

This self-titled EP by David & The Citizens may have preceded Until The Sadness Is Gone only by a few short months, but the debut extended play holds definite traces of an earlier, less mature group. One would think the short amount of time would leave little room change—yet the songs found encased here vary greatly from each other, and many from the long play that followed. Read More »David & The Citizens: David & The Citizens

Eugene Mirman is Awesome

Eugene Mirman

Eugene Mirman released his new album, God Is A Twelve-Year-Old Boy With Asperger’s, yesterday on Sub Pop. I’ve listened to it a few times, and I’ve seen him (like you probably have) on Flight Of The Conchords. And I’ve looked up his videos on YouTube. And I just have to say, that Eugene Mirman is awesome. That’s it. Now listen to a song from his new record, and check out a cool video of him speaking to his old high school during a graduation ceremony… Read More »Eugene Mirman is Awesome

Adam Hill: Them Dirty Roads [Album Review]

Adam Hill

Adam Hill‘s style of folk always donned the traditional styling so often seen as timeless within the centuries-long timeline the genre encompasses. Them Dirty Roads is, for the most part, no exception. But when the fiddles and acoustic guitar are removed, as found in opening track “Prelude”, something else happens — Hill produces a sound quite unorthodox, featuring a trumpet and static samples. As a prelude, the track works wonders to introduce Hill’s very clear-cut folk. Read More »Adam Hill: Them Dirty Roads [Album Review]

Bombadil: Tarpits And Canyonlands [Album Review]

Bombadil

There are a lot of swirling sounds within Bombadil‘s Tarpits And Canyonlands. On one end it is minimalistic — stripped to its most basic components, “Sad Birthday” is piano and percussion with a slew of vocalists. But it’s not minimal, as even two instruments can create a sound all-encompassing. Add the collective of vocalists and precisely placed hand claps and the result is a sound much like that of Slaraffenland. But Bombadil cannot be limited to mere comparisons — the light instrumentation and experimental folk sounds they dabble in are truly their own. Read More »Bombadil: Tarpits And Canyonlands [Album Review]

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