I’ve been following Keep Shelly In Athens for some time now. Their new album, At Home has been on my playlist for about a month, and I’ve quickly come to love tracks like openers “Time Exists Only To Betray Us” and “Oostende”. Earlier this week, the band released a video for the latter.
Author: Andy Fenstermaker
Saâda Bonaire: You Could Be More As You Are
On their announcement of their forthcoming reissue of Saâda Bonaire’s lone single from the early 80s, Captured Tracks made note to file the group under Why was this band not huge?. Makes perfect sense; listening to the band’s single “You Could Be More As You Are”, one is adorned with sounds somewhere between Kraftwork (the…
Juan Wauters: Water
Since releasing Play Silver Nickels and Golden Dimes on Hardly Art a few years back, The Beets’ front-man Juan Wauters has focused his creative efforts on a solo project. He continues to possess a strong Lou Reed/Velvet Underground-meets-Syd Barrett influence. “Water” is the latest track to surface from Wauters and the first off his forthcoming…
Moonface: Julia With Blue Jeans On
Spencer Krug returns with his next Moonface record, Julia With Blue Jeans On. Krug, as you may well be aware, has had a music career filled with diversity; if this is your introduction to Moonface, as it is mine, you may be surprised to hear Krug at his most endearing. Julia With Blue Jeans On…
Burger Records Announces “The Wiener Dog Comp 2: The Ghoulie Tape”
Last year, Burger Records released the first volume of The Wiener Dog Compilation. Yesterday, Burger announced the second volume, which again benefits William Keihn’s dachshund pop Ghoulie. And, like the previous comp, this one includes a slew of unreleased material by Burger-friendly artists.
David Janes: Deathcard [Album Review]
Written by JB. It took nearly a year to record his first proper LP (and almost twice as long to release), but Deathcard is the sweet fruit of singer/songwriter David Janes‘ tedious work. After a limited release of his Kill-a-man Sessions in early 2008, Janes spent months writing, recording, and mixing songs for the next…
Guest Column: In Praise of 1973
Words and music by Jon Rooney, who records as Virgin Of The Birds. To begin with a broad shot of dubious hyperbole, I declare that things have never been better than they were 1973. By things I mean popular art: art that was neither conventionally entertaining by modern tastes nor particularly coherent yet existed in…
The Album Leaf: Seattle, WA [2010.02.06]
All photos copyright Sara Montour. Words by Fense. There’s a personality to The Album Leaf that is unquestionable. Their melodies are sweet, adorned with pleasing and hypnotic, dreamy rhythms. Split between swirling dulcet instrumentals and love-at-first-sight vocal tracks, they truly are a band of which to take note. And they have been for some time….
AristeiA: You Give Me Strength, You Give Me Patience! [Album Review]
Written by Justin Ray Ross. AristeiA‘s first full length album, You Give Me Strength, You Give Me Patience!, blends the jam-session styling of Built to Spill with the post-rock sensibilities of Mogwai and Explosions In The Sky, which the majority of their sound is influenced by. Floating melodies intertwine with pounding rhythms to carry you…
For Stars [Feature]
Written by Jon Rooney. In the late 90’s and early 00’s, For Stars released four full-length CDs on small West Coast indie Future Farmer Recordings, whose claim to fame is surely the introduction of M. Ward to the world years before Merge and his ingénue duets, as well as one EP of outtakes on the…