Written by bob_vinyl. There aren’t many albums as low-key as Sunday at Devil Dirt by Isobel Campbell and Mark Lanegan. Every movement of the album is so subtle that it’s difficult to discern. The first two tracks, “Seafaring Song” and “The Raven”, seem more like movie soundtrack material than the road into a dynamic album, but they set the sparse scene for the album’s first stand-alone song, “Salvation”, which makes it clear that this album searches and journeys.
Throughout though, it does maintain the feel of a soundtrack (albeit of a very good movie), with songs like the jazzy, cabaret “Back Burner” providing segues in the story. None of these are filler in the traditional sense though; they are very strong taken in context and they enhance the songs around them, acting as a bridge in between.
It’s easy to think that Sunday at Devil Dirt is dominated by Lanegan’s deep, rough echoes of Johnny Cash, Jim Morrison and Iggy Pop (and some would say Tom Waits, but Lanegan has a true quality that escapes the novelty of Waits’ work). That gritty earthiness is the album’s grounding. However, countering that is Campbell’s thin, ethereal, almost angelic, yet sexy voice. The two together set the tone for the turmoil that exists between heavenly salvation and earthly struggle.
These two contrasting voices find their way through the sparse musical scenes that range from subtle strings to folk to dirty jazz and blues. As carefully constructed as the album is, Campbell has written, and performed with Lanegan, a work that is intensely human in both disillusionment and hope. I wish someone would make the movie to go with this, because there’s something greater than even this album in there.
Fontana Int’l [CD, 2008]
1. Seafaring Song
2. The Raven
3. Salvation
4. Who Built The Road
5. Come On Over (Turn Me On)
6. Back Burner
7. The Flame That Burns
8. Shotgun Blues
9. Keep Me In Mind, Sweetheart
10. Something To Believe
11. Trouble
12. Sally, Don’t You Cry