In the recently revived version of FensePost, I want to look back just as much as I look forward and look to the present. While this isn’t the typical path for music blogs, it allows us to unearth some powerful forgotten gems, like Leave the Ground by Jupiter. You’ll be hard pressed to find out… Continue reading “Leave the Ground” by Jupiter: Reviewing a Somewhat Forgotten Shoegaze Gem
Club 8 embarks on yet another journey with their new (and 9th) LP, Pleasure. A slight departure from 2013’s Above The City, which was upbeat yet put a slightly darker dance spin into the Club 8 repertoire, Club 8 continues down that darker path by forgoing the positive. Instrumentally, the band hones their synth-wave skills,… Continue reading Club 8: Pleasure
2015 marks five years since Teen Daze first debuted on the music scene with a four-song EP called Beach Dreams. In the years and countless releases (many of them digital singles) since, Teen Daze has flirted with several genres. Early on, Beach Dreams encompassed his style in a very descriptive way, while more recently Jamison… Continue reading Teen Daze Finally Tops An Early Favorite In “Morning Glory”
I see quite a contradiction here. Elin Berlin is the face behind Swedish blog Youth Knows No Pain. In it, for the most part, she seems to maintain a sunny and bright disposition. But things aren’t always as they seem; by night she records under the moniker Eternal Death, a meditative project with Johan Angergård… Continue reading Best Album of 2015 So Far: Eternal Death’s New Self-Titled LP
Let’s take a trip back in time. The year is 2006, and FensePost is only a few months old. I stumble upon a newly relocated indiepop artist called BOAT. The band moved from Chicago to Seattle and landed a spot on the Magic Marker Records roster for their debut LP Songs That You Might Not… Continue reading Unlikely Friends Release Solid Gold Cowboy on Jigsaw Records
After a far-too-lengthy hiatus, I have returned. And my gaze first turns toward prolific rocker Ty Segall‘s new LP, Manipulator. Last year I became a bit obsessed with early T. Rex, as in the stuff they released pre “T” under the guise Tyrannosaurus Rex. In particular, the album Beard of Stars. Around the same time,… Continue reading Ty Segall’s “Manipulator” Marries Garage Rock and Glam
One of my favorite new artists of 2013 was Seattle’s Rose Windows. Their debut LP, The Sun Dogs, on Sub Pop was a luscious array of mildly psych-induced folk rock fronted by Rabia Shaheen Qazi exotic vocals. It continues: Rose Windows have now given us a first taste of life beyond The Sun Dogs with… Continue reading Rose Windows Return with ‘There Is A Light’
Axxa/Abraxas is the moniker of one Ben Asbury, a man creating psychedelic stoner pop that very much fits the vein of Captured Tracks, who released the band’s self-titled LP back in what looks like early March. I’m just now catching wind of this album, and it has taken me by storm.
I was apprehensive the first time I hear “The Tower” by Wye Oak. The new track, off Andy Stack and Jenn Wasner’s forthcoming LP Shriek, is so vastly different from their previous material, I was almost initiated the metaphorical reject button. Gave it a few days, and tried it again with better results.
Oh September Girls. These days, your heavily distorted female dominated pop group is somewhat run-of-the-mill. That sound blew up in the indie masses with Vivan Girls, and it continued with spinoffs Frankie Rose, Best Coast and La Sera. Hell, you even hear a bit of that sound in WOODS-related band The Babies.