“Baro ihlo” begins with a deep, ominous bass clarinet and a dark accompanying guitar. Shrouded in a static-filled haze, the song leads into “1922″, where poetry is spouted in front of guitar feedback and a blend of a consistent drum beat with bursts of percussive noise. 2010 by Sweden’s The Universe isn’t all like this, but it does maintain that ethereal post-rock noise with lengthy minimalist arenas of quietude and momentous epic fits of wild guitars and percussion. What you’ll find, mostly, are mesmerizing instrumental tracks.