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Andy Fenstermaker

Andy Fenstermaker is a music lover, writer, marketing professional, and entrepreneur who has dedicated his life to sharing his passion for music with others. He is the founder of FensePost, a renowned music blog that has been sharing the latest and greatest in indie music since 2006. Andy has always been fascinated by the power of music to connect people, and he started FensePost with the aim of sharing his love of music with others. Andy developed a passion for music at a young age. Born and raised in the Pacific Northwest, Andy grew up surrounded by a vibrant music scene that left an indelible mark on him. He attended Washington State University, where he studied Communication and Business. He holds a BA in Communication and a Masters in Business Administration.  After graduating, Andy started writing about music and created FensePost as the outlet. The blog has a strong focus on indie music, but also covers a range of other genres including folk, indie pop, psychedelic, garage rock, and experimental.  Andy and the blog relocated to the Dallas/Fort Worth Metroplex in 2020.

Teith: Oak City [Album Review]


Written by Fense

I can wholeheartedly understand the meaning behind Oak City opener “Coffee Is A Cruel Mistress”. Like cigarettes, one can easily become a coffee addict. Unlike cigarettes, I’m hooked on coffee. My other addictions (you could call them shortcomings, but I don’t) include obsessive compulsive alphabetization, abundant record purchasing, and food. Read More »Teith: Oak City [Album Review]

The Dears: Missiles [Album Review]

The Dears

Listening to Missiles, I get the distinct feeling The Dears (MySpace) were heavily influenced by two albums–unless you take the first few minutes of opening track “Disclaimer” into account, in which you could rephrase that statement to be two bands. If you look at the former, the albums are The Bends and OK Computer. It’s not only in select vocal tracks, but also in the sound of guitars and even a few guitar riffs. It’s not always like this, though, and “Disclaimer” is a prime example. That early sax solo reminded me a bit of Pink Floyd–though the relation is a bit of a stretch. Read More »The Dears: Missiles [Album Review]

The Absentee: Victory Shorts [Album Review]

The Absentee

No no no no no. This isn’t doing it for me. With vocals rivaling Calvin Johnson in pitch, and dubbing themselves indie-pop, there’s an obvious Beat Happening reference here. But where other artists succeed at setting themselves apart from their influences, and do so well, I’m not quite hearing it in The Absentee (MySpace)–at least, not at first. Read More »The Absentee: Victory Shorts [Album Review]

Antony And The Johnsons: Another World [Album Review]

Antony And The Johnsons

After Antony Heggarty’s involvement in the phenomenal Hercules And Love Affair release from earlier this year, one might expect his more personal project to perhaps alter course. But Another World, for the most part, continues down the same path as earlier works, like I Am A Bird Now and the groups self-titled release. And that commonality is the stripped-down Heggarty on vocals with a melodramatic backing piano and string accompaniment. Read More »Antony And The Johnsons: Another World [Album Review]

Dark Meat: Dead Man [Video]

Dark Meat

Written by Fense

Do you ever see an album in the record store that sparks your curiosity each time you pass it by? It nags you and gets underneath your skin—you want to check it out, but you’re wary about dropping $20 on an LP that might or might not be good. It’s simply not worth the risk. Universal Indians by Dark Meat was just such an album. Then I heard “Freedom Ritual”, the album’s first track, and I was hooked. Read More »Dark Meat: Dead Man [Video]

Matthew And The Arrogant Sea: Family Family Family Meets The Magic Christian [Album Review]

Matthew And The Arrogant Sea

Written by Fense

The world appears to be crumbling around us and it seems like there’s nothing we can do. As I sit here typing, CNN is discussing the collapse of AIG, which affects IFLC, which in turn has great potential to harm Airbus and Boeing (I bet right now you’re calculating just how long this review has been sitting in the queue, waiting to be posted). Already in Washington the unemployment rate is greater than 6 percent—I am part of that statistic (also an item that has changed since this review was first “written”). There’s a growing desperation in the air and it’s tough not to get caught up in the stress of it all, cause there’s not much we can do but wait it out. Read More »Matthew And The Arrogant Sea: Family Family Family Meets The Magic Christian [Album Review]

Daniel Martin Moore: Stray Age [Album Review]

Daniel Martin Moore

Written by Fense

Sub Pop is a continual source of surprise; sure, they’ve had their share of genre-swapping, but the latest add to the roster still comes as a bit of a shock. Daniel Martin Moore (MySpace) is a folk artist in the truest of senses–his songs feature him and a guitar. His vocals are melodic and pleasant–and in combining those two words as I have in the past, I realize that Moore may live up to the statement more than any other artist about whom I’ve made the offhand melodic and pleasant comment. Read More »Daniel Martin Moore: Stray Age [Album Review]

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