Stuarto Glasser, host of the All Around the World Music Show, called me up a little after 5pm Friday and asked if I could fill in for him. Thinking it would be a great way to attract a few more listeners I agreed. I headed home and put together a playlist of some of my favorite indie artists from around the world.

Friday evening was a mad house. Getting into the station wasn’t the issue, as I expect it will be in the coming weeks now that winter is upon us; it was the transition. Transitioning from one on-air personality to another is a bit nerve-wracking. The quarters are cramped, the mic is hot, and you have to do your best not to step on their toes as they wrap their show and you begin yours. And when it’s time to fly, you have to remember which buttons should …

On June 6, 2006, FensePost went live. Since its inception, I’ve written more than 1,000 album reviews and countless features, track reviews, live reviews, and video reviews. My collection has grown exponentially. I have a room in my house devoted entirely to records. CDs go in the living room and I’m out of shelving space. To say FensePost has become a big part of my life would be an understatement. It’s as much a second job as it is a hobby.

Worry A Lot marks second release by The Zebras, following their self-titled debut from 2004. The album is crafted with the jangle pop that made the twee movements of C86 and Sarah Records so lovable. From the punchy guitar to the driving percussion, each song contains the power to knock you off your feet. The Zebras hail from Australia and it is extremely difficult to find a copy of anything by the group on this continent, making it clear a US-based label needs to release the album stateside.

“A Day On Black Mountain Road” isn’t nearly as upbeat as some of The Zebras earlier work. At least, it doesn’t seem like it at first. It’s the chord progressions — they’re slightly darker. This is not necessarily a criticism rather than an objective side comment. It’s a small stray from the past that pops up elsewhere on New Ways Of Risking Our Lives, like on “Make It Stop”, giving their latest EP a unique edge to their catalog of material.