This show began like any other, but without the transition difficulties. All was smooth. The music, on the other hand, was not. After a long, satisfying week, I was in need of some loud, abrasive rock music. But it wasn’t all like that. Due to the cold weather, I mixed in some beach pop, fuzzy dream pop and good old garage rock and pop.

Let me tell you a story. In 2007 some notable things happened. I attended the annual music festival SXSW (the image above is of myself and The Lovely Sparrows’ Shawn Jones, taken by Abandoned Love Records/Virgin Of The Birds’ Jon Rooney), I grew a mustache, and I met a beautiful girl named Andi at the Capitol Hill Block Party. We hit it off and ditched the after-party to get a sprite (her) and coffee (me) at Denny’s in Ballard (sadly no longer there) at 1:30am. I …

On June 6, 2006, FensePost went live. Since its inception, I’ve written more than 1,000 album reviews and countless features, track reviews, live reviews, and video reviews. My collection has grown exponentially. I have a room in my house devoted entirely to records. CDs go in the living room and I’m out of shelving space. To say FensePost has become a big part of my life would be an understatement. It’s as much a second job as it is a hobby.

I’ve been looking forward to hearing more from Patience Please and when I heard that their latest EP, Parallel Plots, was stocked at local record stores in Seattle, I couldn’t resist running out to pick them up. I was so early, in fact, that the stores had yet to put them onto the shelves. Ray Proudfoot fronts the group with emotive yet educated gravely vocals and punchy guitar while Keenan Dowers, the sole female, provides the group with organ and backup vocals. Rounding out the group are Jordan Michelman on …