Dead Oceans announced yesterday the sophomore release by Portland’s Mt. St. Helens Vietnam Band, titled Where The Messengers Meet. The album, out August 3, hits about a year and a half after the band’s self-titled debut. That album came in just outside our top 10 album of 2009 thanks to angular, erratic, and often hauntingly frantic musicianship fronted by expert, harmonic vocals.

This new offering comes with a tune from the forthcoming album. The song is called “Leaving Trails” and it highlights vocalist Benjamin Verdoes in a slightly different light. Remaining are his oft distorted vocals, but here they’re deep and not nearly as urgent as those off the debut. In fact, the entire song is like this — it’s borderline dreamy, focusing on harmony rather than dissonance, melody over discord.

The harmonies were once obscure, but that has been replaced with that which is slightly more peaceful. Those elements seemed to create a haunting effect on the debut yet here MSHVB demonstrates they can be just as haunting on the flip-side. With the power behind Mt. St. Helens Vietnam Band’s debut and the progression seen in “Leaving Trails”, Where The Messengers Meet is easily one of the year’s most anticipated new releases.

Download: “Leaving Trails” by Mt. St. Helens Vietnam Band

2009 is a tough year to judge. I’ve checked out more albums this year than any year in the past. Well over 1,000. And there have been quite a few great ones as well. When this list began, it had 110 albums. I abandoned my top 33 and 1/3 for 45, and then said “screw it” and upped the number to an even 50. These are the top notch albums of the year, all worthy of praise.

Despite trouble all around, 2009 wasn’t all that bad. It forced us to hold our wallets a little closer, and by doing so allowed us to enjoy some simpler things in life. Living briefly in Edison before buying a house, I’d take walks around town with my camera in hand and my iPod in ear. The above photo was from one of those journeys.

It was the year of fuzzy pop, so it’s no surprise that the biggest standout label from the year would have to be Slumberland, who gave us a slew of phenomenal singles, a few great albums, and a number of excellent EPs. Hometapes also finds their artists sprinkled throughout the list. As usual, there are some local favorites, as well as a few obscurities.

Off we go…

* * * * *

50. Postcard by Elin Palmer

From Devotchka fame comes Elin Palmer, whose Denver by way of Sweden sounds blend multi-instrumental orchestral folk with angelic vocals. Title track “Postcard” is a mystic song that hits all the right notes, from beautiful echoing vocals to soft accordion and masterful strings.

Elin Palmer: Postcard [mp3]

* * * * *

49. Cosmic Clancy by The Nightgowns

The Nightgowns turned some heads in the Pacific Northwest this year, gaining momentum with their synth-based pop. It’s simple and catchy, but a dark base and vocal pairing keeps it from being overly twee.

The Nightgowns: Cosmic Clancy [mp3]

* * * * *

48. The Mountain by Heartless Bastards

Title track “The Mountain” is truly an epic, and it’s hard not to say the same about at least half the songs on Heartless Bastards’ latest LP. These songs are pure rock and hint at a greater 70s theme yet find themselves entirely modern. And the female-fronted vocal styling is deep and filled with a verbose vibrato, making Erika Wennerstrom one of the more unique vocalists around.

Heartless Bastards: The Mountain [mp3]

* * * * *

47. Letting Up Despite Great Faults by Letting Up Despite Great Faults

Letting Up Despite Great Faults wears their influences on their sleeves. Listening to electronic beats and fuzzy keys and guitars, fronted by dreamy reverb-filled vocals, one can hear hints of The Radio Dept. in nearly every song on this album. That is far from a bad thing, as Letting Up Despite Great Faults picks up precisely where Lesser Matters left off.

Letting Up Despite Great Faults: In Steps [mp3]

* * * * *

46. Promenade by Grand Hallway

Combining Japanese classical sensibilities with orchestral pop isn’t all that common. Promenade, Grand Hallway’s second album, is much stronger than their debut and it finds the group gaining confidence in their songwriting abilities, both from an instrumentation and a vocal standpoint.

Grand Hallway: Blessed Be, Honey Bee [mp3]

* * * * *

45. Gather Form & Fly by Megafaun

An experimental style of folk, freak folk, and blend of fully orchestrated folk with minimalist folk, Megafaun does a great job infusing various styles of folk for an entirely unique sound that is fun, crazy, and beautiful all at the same time.

Megafaun: Kaufman’s Ballad [mp3]

* * * * *

44. Första Brevet Till Amerika by The Hartmans

Riding the fuzz pop train is Sweden’s The Hartmans, who remain underground but whose songs are absolutely worth checking out for fans of this year’s favorite sub-genre. Första Brevet Till Amerika is technically the US release of an album from one, possibly two years ago, but because Series II dropped it in ’09, I’ll consider it. The Hartmans focus is harmony backed by massive distorted harmony.

The Hartmans: Neptuni Orden [mp3]

* * * * *

43. March Of The Zapotec / Holland by Beirut

Beirut’s so-called third LP, March Of The Zapotec / Holland is technically a double EP. One half finds the balkan-influenced band matching their early sounds while the other sees Condon et. al adding in electronic beats.

Beirut: My Night With The Prostitute From Marseille [mp3]

* * * * *

42. My Maudlin Career by Camera Obscura
“French Navy” is one of my favorite singles of 2009, and title track “My Maudlin Career” is pretty damn close to being an album favorite. This album nears the influence set forth in Let’s Get Out Of This Country.

Camera Obscura: My Maudlin Career [mp3]

* * * * *

41. Fan The Flames by Golden Bloom

With infectious pop songs like “Doomsday Devices” and “The Flight At The End Of The Tunnel”, Golden Bloom takes contemporary pop to a whole new level. Sure, this stuff is more than nerdy, but you can’t help falling in love with these songs.

Golden Bloom: Doomsday Devices [mp3]

* * * * *

40. Sunset / Sunrise by The Dutchess & The Duke
Aside from an overall higher production value, The Dutchess & The Duke exudes a greater level of comfort and confidence in the music they create. Sure, this album lacks that gritty lo-fi element so beloved in their debut, but it’s made up with this band’s new-found certainty in their abilities.

The Dutchess & The Duke: Hands [mp3]

* * * * *

39. Post-Nothing by Japandroids

Japandroids made waves this year with their album Post-Nothing. Many consider “Young Hearts Spark Fire” one of the best songs of the year. Sure, I’ll give them that, but my favorites are “Heart Sweats” and “I Quit Girls”.

Japandroids: Young Hearts Spark Fire [mp3]

* * * * *

38. Logos by Atlas Sound

I haven’t fully absorbed Logos yet. There are a few albums that haven’t quite fully garnered my attention, and these are the ones that are likely to see big movement when it comes time to compile my 2009 A Retrospective. I rather enjoy what I have digested quite a bit more than Atlas Sound’s last album. In particular is “Walkabout” which features Noah Lennox of Animal Collective/Panda Bear.

Atlas Sound: Walkabout [mp3]

* * * * *

37. Reservoir by Fanfarlo

Quite like Beirut, but with less emphasis on the obscure and a bit more on greater accessibility to a wider audience, Fanfarlo’s Reservoir is hailed by many as one of the top albums of the year. It’s a bit too much like Beirut at times, but there’s no question that these guys can create a pretty powerful tune. “The Walls Are Coming Down” and “Luna” are instant favorites, songs that aren’t likely to wane any time soon.

Fanfarlo: Luna [mp3]

* * * * *

36. Welcome Joy by The Cave Singers

Oh man, “At The Cut” rocked. Invitation Songs was pretty damn solid, and placed the band in a unique folk-rock place, hinting at a folk sound from an entirely different era. But Welcome Joy finds The Cave Singers blowing up that earlier sound, injecting some powerful riffs (as if they weren’t there to begin with), and pumping up volume levels a bit. Sure, not all songs are like this, but the right ones are, and that’s all that matters.

The Cave Singers: At The Cut [mp3]

* * * * *

35. In The Dream Of The Sea Life by Candy Claws

Thanks to a clever mixing in of lapping waves, In The Dream Of The Sea Life nears concept album greatness. Candy Claws mixes highly experimental electro-pop with folky traits common to artists like Animal Collective, but a thousand times dreamier. This music is pleasant and hypnotic.

Candy Claws: Catamaran [mp3]

* * * * *

34. Intuit by Ramona Falls

After Menomena’s Friend And Foe, I’ve been dying to hear more from the band. While we have yet to receive a follow-up, Intuit is pretty damn close. From Menomena’s Brent Knopf comes Ramona Falls and the music has a pretty strong similarity to one of Portland’s best groups. In the coming months, I’ll probably regret keeping this one so low on the list.

Ramona Falls: I Say Fever [mp3]

* * * * *

33. Vekatimest by Grizzly Bear

Vekatimest has made more of an impact on me than both Yellow House and Horn Of Plenty alike. “Two Weeks”, in fact, is one of my favorite singles of the year. As a whole, this album is more than solid and propels Grizzly Bear into a unique position; out there far enough to warrant lauding by supreme pretentious indie nerds and a more mainstream crowd as well.

Grizzly Bear: Cheerleader [mp3]

* * * * *

32. Waking Heat by Tempo No Tempo

It’s been a while since I’ve really been into a dub band, but that all changed in 2009. Tempo No Tempo became an instant favorite thanks to a hefty bass/drum part in songs like “The Rat (Part One)” and “Medicines”. Unsigned, I wouldn’t be surprised if this band doesn’t stay that way long.

Tempo No Tempo: Medicines [mp3]

* * * * *

31. We Bet Our Money On You by Daniel Francis Doyle

Math rock has always been a bit crazy, with pointed beats and riffs and wild lyrics. Daniel Francis Doyle is the most promising artist to fit the genre in a very long time. His abilities extend far, from erratic in-your-face experimental and fully math oriented tracks (“Old Lives”, for example, is quite wonderful, reaching a point between Don Cab and Dismemberment Plan) and soft melodic piano tracks (“Your Baby Is Speaking” is the best representation of that sound). Perfect.

Daniel Francis Doyle: Learning Things In School [mp3]

* * * * *

30. Keep In Mind Frankenstein by Grand Archives

The harmonies remain, both from an instrumental and vocal standpoint. In Keep In Mind Frankenstein, Grand Archives take it down a notch at times. While there isn’t that immense climax (“The Crime Window” off Grand Archives took that slot), these songs are still quite amazing. Grand Archives’ music is filled with pleasant folk-pop that truly sets this band apart from the crowd.

Grand Archives: Silver Among The Gold [mp3]

* * * * *

29. Everybody Come Outside by Pomegranates

With their sophomore LP, Everybody Come Outside, Pomegranates have soidified their station as the best creators of upbeat pop songs around. And I’m not just talking songs that will make you nod your head. Even their sadder, less happy songs are entirely bouncy. Prime example: “This Land Used To Be…”

Pomegranates: Corriander [mp3]

* * * * *

28. Family by Le Loup

The Throne, Le Loup’s debut, was an album wrought with strife; it was a tormented display of a mind torn between good and evil. And it leaned quite substantially toward the darkness. With their follow-up, Family, Simkoff seems to have found a pleasant peace among friends. This album lacks some of the minimalistic traits of its predecessor. There are still forays into that wild sound, but now it’s more tribal, connected to individuals outside Simkoff himself. And you can hear it in the music: it’s a positive progression.

Le Loup: Beach Town [mp3]

* * * * *

27. Tarpits & Canyonlands by Bombadil

Mixing a sound that can only be described as a folky rendition of Slaraffenland (or Efterklang) fronted by a Cat Stevens-ish character, Bombadil has produced an entirely unique album that is one of 2009′s must-hears.

* * * * *

26. Setting The Paces by BOAT

Setting The Paces, BOAT’s third album, sees the band progressing as a whole. Songs are more complex, yet they all maintain a fair share of those good ol’ traits that us fans fell in love with upon hearing their debut. D. Crane still has that overly joyous, sarcastic self-deprecating lyrics and that grinning throaty vocal style. These songs rock, and they rock harder than BOAT ever has before.

BOAT: Lately [mp3]

* * * * *

25. Psychic Chasms by Neon Indian

Take Animal Collective, drop in a notable and dark 80s influence. Then ship the whole package over to Europe and shove it into one of their electro thingies. An image should be forming, and the result is probably something along the lines of Neon Indian. By the way, this album cover speaks to this music more than practically all others in 2009.

Neon Indian: Deadbeat Summer [mp3]

* * * * *

24. Telekinesis! by Telekinesis

You wouldn’t expect this album from Telekinesis brain-child Michael Lerner, who is soft spoken and quite kind. Then again, this album isn’t hard hitting, nor is it pretentious. It hits the right pop hooks and injects the perfect amount of rock to achieve something better, more pure. One listen to “Great Lakes” and you’ll be saying Move over Death Cab – there’s a new boy in town!

Telekinesis: Coast Of Carolina [mp3]

* * * * *

23. Parade by Afternoon Naps

When it comes down to it, there is little I love more than a good indie pop album, and Parade by Afternoon Naps is just that. The band’s smokey and mysterious vocals are dark and seductive. There are plenty of somber pop hooks here, but this band isn’t beyond throwing a wrench in that – there’s also a lot of bouncy melodies.

Afternoon Naps: Beach Bums [mp3]

* * * * *

22. Summer Of Hate by Crocodiles

Summer Of Hate brought Crocodiles quite a bit of hype in the indie world upon its release. It took me a while to get around to checking these guys out but I’m very glad I did. The title track remains my favorite, but in truth this album is filled with favorites.

Crocodiles: Summer Of Hate [mp3]

* * * * *

21. Declaration Of Dependence by Kings Of Convenience

“Boat Behind” is one of my favorite videos of the year. It’s perfectly sunny and more than fitting. The title of this album is honest and revealing, and it fits the music this duo creates. Kings Of Convenience is back and I’ll probably kick myself later for not sticking this higher on the list. Oh well.

Kings Of Convenience: Boat Behind [mp3]

* * * * *

20. Beast Rest Forth Mouth by Bear In Heaven

From the dissonance of Red Bloom Of The Boom to the harmonious Beast Rest Forth Mouth, Bear In Heaven continues to be a gripping band despite a substantial progression. The first one emphasized space; this one creates the matter that fills space.

Bear In Heaven: Lovesick Teenagers [mp3]

* * * * *

19. Up From Below by Edward Sharpe & The Magnetic Zeros

Epic folk comes in many forms and while Up From Below may not necessarily be a concept album in the true concept album form, it possesses the traits (albeit externally for the most part). As they continue to put out videos from the album, which will ultimately form a near feature-length film, this album’s brilliance will radiate brighter than ever.

Edward Sharpe And The Magnetic Zeros: 40 Day Dream [mp3]

* * * * *

18. We’re On Your Side by Slaraffenland

Few bands have the efficacy of uniqueness than that produced by Slaraffenland. Their plush orchestral instrumentation, bordering on experimental pop, is simultaneously minimal and monumental. And the vocals that coincide with it are expansive. Beauty has nothing on Slaraffenland.

Slaraffenland: Meet And Greet [mp3]

* * * * *

17. Merriweather Post Pavilion by Animal Collective

In my opinion, Merriweather Post Pavilion is Animal Collective’s initial leaning toward becoming more accessible to a wider audience. Fall Be Kind is an even further progression into that realm, but when compared to that which came before, MPP has more songs that fit that classification. A favorite, you can totally hear Noah Lennox’s influence on “Guys Eyes”.

* * * * *

16. Over And Over by The Legends

At first glance, it may appear that The Legends have returned to their roots with Over And Over, the overly fuzzy basement pop distinct on Up Against The Legends. But in reality, they’ve merely combined many of the sounds over their past three quite distinct albums. This band continues to impress – again, it should be no surprise as to why I regard Johan Angergård as one of today’s most talented musicians.

The Legends: Always The Same [mp3]

* * * * *

15. You Can Have What You Want by Papercuts

Sometimes you’ll find that certain albums sound better on vinyl. On one hand, it’s the experience of sliding that beautiful piece of wax out of its sleeve and placing it gently on a record player, then watching the needle as it drops in the precise location for optimal listening. You Can Have What You Want by Papercuts is one such album. The good news: this album nears perfection no matter how you take it in.

Papercuts: Future Primitive [mp3]

* * * * *

14. There Is No Enemy by Built To Spill

This is, without question, my favorite Built To Spill album since Perfect From Now On. Filled with more radio-friendly hits, like “Hindsight” and epic rockers alike, this album nears their prior pinnacle of greatness. “Oh Yeah”, both lyrically and instrumentally, could have been on that earlier album. It has become an easy album favorite.

Built To Spill: Hindsight [mp3]

* * * * *

13. Mt. St. Helens Vietnam Band by Mt. St. Helens Vietnam Band

Mt. St. Helens Vietnam Band took a while to catch on for me, but eventually I came around. “Albatross, Albatross, Albatross” was one of my favorite videos of the year, and the album is packed with songs just as powerful. At times these songs hint at metal guitars, but the music is far from the genre – it’s entirely rock, with minor pop sensibilities.

Mt. St. Helens Vietnam Band: Cheer For Fate [mp3]

* * * * *

12. Album by Girls

At first, Girls didn’t do much for me. Call it a youthful childish shun; a fear of cooties. But like most young boys, I quickly grew up and started to notice Girls in a way I never thought possible. At first it was subtle – the soft songs like “Hellhole Ratrace”. Eventually the “they’re OK” became a bit more of an intense desire, a longing, an infatuation. The harder songs like “Lust For Life”, “Laura” and “Summertime” all became favorites. Two months ago, I wouldn’t have thought it possible for Album to crack the top 20. Now it sits at #12.

Girls: Hellhole Ratrace [mp3]

* * * * *

11. The Banyans by The Banyans

Ask anyone about any band within the top, oh 15, and the one that the fewest people will know is The Banyans. This self titled album was self-released by this Seattle band, and done so not as a physical release but as a free download. “Grenade On Course” and “Neon Heat” are some of my favorite songs of 2009. As a whole, this album fits together quite nicely; not something you’d expect from a brand new band.

The Banyans: Grenade On Course [mp3]

* * * * *

10. Heavy Days by Jeff The Brotherhood

Not since The White Stripes’ early days has a lo-fi punk duo created such an impact (on me, at least). What you get: noisy distorted riffs and sloppy percussion fronted by grungy lyrics. This album might not strike you as anything fancy from the get-go, but give it time and the songs on Heavy Days will blow your fucking mind.

Jeff The Brotherhood: Bone Jam [mp3]

* * * * *

9. Rules by The Whitest Boy Alive

OK, if you thought Dreams was good, wait until you hear Rules. This album has everything you loved off The Whitest Boy Alive’s debut LP yet does exactly what you expect from a follow-up: it takes it to the next level. Seriously: it does so in every way possible. “High On The Heels” is the shining star here, but “Keep A Secret”, “Courage”, and “Timebomb” are right behind.

* * * * *

8. Clangour by Sin Fang Bous

In 2008, Sin Fang Bous gave us a teaser off their then forthcoming album, the Clangour 7″ single; both songs fit the experimental electro-pop Sin Fang Bous would come to be known by. Despite that being more than one year ago, the two songs, “Advert In Ives Garden” and “Clangour And Flutes”, are just as mesmerizing as the day I first heard them. Add to them ten additional songs that are just as powerful, and the result is astonishing.

Sin Fang Bous: Catch The Light [mp3]

* * * * *

7. Eskimo Snow by Why?

With lyrics that flow 1) like poetry, and 2) better than the best gangster rap, Why? has finally caught my attention by demonstrating they are one of today’s best bands thanks to lyrical prowess and masterful wordsmith-ery backed by an impeccable ability to instrumentally craft a great tune.

Why? – This Blackest Purse [mp3]

* * * * *

6. Yeah I Know by Darlings

Basement pop has never been as upbeat and party-centric as it is with Darlings. As we heard just the other day, “Eviction Party” is an entirely true story, packed with insane antics of the overly imbibed. I associate this album with summer (thanks to being released then, and also having an upbeat sound). “Teenage Girl” will have you falling in love with the young punk chick a few seats away on the bus, while “If This Is Love” is perfect for the moment that summer fling comes to an abrupt halt.

Darlings: If This Is Love [mp3]

* * * * *

5. Tree House Whispers by Anois

Louder than bedroom pop but not quite fit for the basement, Anois is left with the title King of Living Room Pop. The title, at least in my opinion, is one they are more than worthy of keeping. Tree House Whispers adds in experimental elements, drone, and rounds it all out with sexy foreign accents and all the beauty in the world.

Anois: Happy Holiday [mp3]

* * * * *

4. Reservoir by Ah Holly Fam’ly

The smokey, nasally vocals of Jeremy Faulkner are about as unique as vocals can get. When backed by the pop-tinged folk of Ah Holly Fam’ly, the result is one of the best albums of the year. Listening to the band’s old stuff, they’ve come a long way from their home-made CD-R days (when we both resided in the Palouse, them in Moscow and me in Pullman. Whatever this band is doing, they should absolutely keep it up. Reservoir is brilliant!

Ah Holly Fam’ly: All Unfolding [mp3]

* * * * *

3. Wind’s Poem by Mount Eerie

Until Wind’s Poem the two Mount Eerie albums I was most familiar with were Lost Wisdom and Dawn, both of which find Phil Elverum at his more minimal. Not once does he pick up an electric guitar on either album. Thus, Wind’s Poem was a bit of a change – much more in line with the stuff from Microphones – and, overall, this album is phenomenal.

* * * * *

2. The Pains Of Being Pure At Heart by The Pains Of Being Pure At Heart

I would say my #1 song this year is “Young Adult Friction” by The Pains Of Being Pure At Heart. This song and the album as a whole are both excellent. “Contender” and “Everything With You” are right up there thanks to massive distorted pop and seemingly insurmountable vocal pop hooks.

The Pains Of Being Pure At Heart: Everything With You [mp3]

* * * * *

1. AZAR by Venice Is Sinking

The difference between the first and eighth album on this list is, in fact, quite miniscule. These eight albums are truly very close in terms of the power they’ve held on me throughout the year, and their ability to be mainstays on my playlist in the years to come. Still, the decision to put AZAR at #1 wasn’t all that difficult. Venice Is Sinking possesses not only the ability to put out a great record, they are also very forward-thinking from an industry standpoint. I’m very excited to hear what their 3rd LP has in store for us.

Venice Is Sinking: Okay [mp3]

When I compiled my original Best Of 2008 list last December, it was a snow day. The sky dropped about a foot, maybe a foot and a half of fluffy white stuff and we lowly sub-compact drivers could go nowhere. Between ranking albums and locating album art, I took a stroll around town with my camera. The above image comes from that trek. Overall, I was pretty happy with last year’s list but, in revisiting all the albums from 2008, I now see quite a few that I left out.

Sub Pop dominated the year with a total of 4 albums in the top ten with a fifth just outside. A few albums are now on this list that weren’t on my radar last year, or that I left off for some reason or another. And because of that, some albums have dropped in rank; but that’s not because they’re no longer as valid. All albums on this list are great, and you should check them out. I’m going to begin with a few honorary EPs (in alphabetical order). Three to be exact.

Let’s begin…

* * * * *

Honorary EP #1. Crystal Antlers EP by Crystal Antlers (Previously #17)

Influenced, in my opinion, by bands like Comets On Fire, Crystal Antlers blend experimentation with psychedelic noise. Wild solos and epic squeals made their self-titled EP more than worthy of checking out.

Crystal Antlers: A Thousand Eyes [mp3]

* * * * *

Honorary EP #2. Weepy EP by Mt. St. Helens Vietnam Band (Previously #26)

Four powerful songs which ultimately led to one of 2009′s most anticipated debut albums, Weepy EP is brilliant in every form possible. Plus it features an outstanding homemade cover.

Mt. St. Helens Vietnam Band: Dull Reason [mp3]

* * * * *

Honorary EP #3. Love Yourself EP by Thunder Power

Love Yourself is without question bouncy mid-western pop. Songs like “(Why Don’t You Go) Take A Hike?” and “Cassanova” launched Thunder Power into one of the year’s most promising acts. Yeah, we’re still waiting for that debut LP, but this EP is worthy of keeping us company until that happens.

Thunder Power: (Why Don’t You Go) Take A Hike? [mp3]

* * * * *

1/3. Topps 7″ Single by BOAT

Topps remains the top single of 2008. It’s hard to beat with trading cards and 80s-style baseball card chewing gum. “Topps” and “Three Beds For Boat” are both excellent portrayals of the band and their dreams.

BOAT: Topps [mp3]

* * * * *

33. Who Killed Harry Houdini? by I’m From Barcelona (Previously #19)

In last year’s Best Of list I noted that this album held together better than I’m From Barcelona’s debut, and that statement holds. I also mentioned that it didn’t have those standout tracks like “We’re From Barcelona” and “Oversleeping”. Also true. Still, I’m pretty obsessed with the track “Andy” for obvious reasons.

I’m From Barcelona: Music Killed Me [mp3]

* * * * *

32. Partie Traumatic by Black Kids (Previously #28)

In many ways, the best parts of Partie Traumatic were the songs that were originally released on Wizards Of Ahhhs. Still, revisiting the album there are plenty of new tunes that were just as enjoyable (well, almost).

* * * * *

31. Moonbeams by Throw Me The Statue (Previously N/A)

Of all the bands that dub themselves tropical, none hold the weight as well as Throw Me The Statue. For the longest time, I didn’t care for “Lolita”, but the song grew on me. Moonbeams is a strong debut from one of Seattle’s most cherished new groups.

Throw Me The Statue: Lolita [mp3]

* * * * *

30. Glistening Pleasure by Natalie Portman’s Shaved Head (Previously N/A)

A local hype band of sorts, Natalie Portman’s Shaved Head took Seattle by storm. Especially the young. It’s easy to hear why – songs like “Me + Yr Daughter” and “Iceage Babeland” are easy songs to obsess over with their glam-like dance-worthiness.

Natalie Portman’s Shaved Head: Me + Yr Daughter [mp3]

* * * * *

29. In Case We Lose What We Have by Letters (Previously #23)

I just found out my neighbor knows the parents of one of Letters’ members. It’s an odd coincidence. In Case We lose What We Have is one of this list’s more eclectic artists, and one of the least known. But they should be known, as the songs on this album are pretty astounding.

Letters: Ode To Yr Medicine [mp3]

* * * * *

28. Trouble In Dreams by Destroyer (Previously #33)

Following power albums like Rubies and Your Blues is a damn near impossible feat. Trouble In Dreams didn’t achieve the greatness of those albums, but it had plenty of excellence to drop it right behind them as Destroyer’s third best album.

Destroyer: Dark Leaves Form A Thread [mp3]

* * * * *

27. Cove by A Weather (Previously N/A)

Portland’s A Weather brought back bedroom pop with their debut LP Cove. Soft lullabies and whispered harmony vocals can lead a band to bore, but A Weather never approaches that point thanks to songs like “Oh My Stars” and “Spiders/Snakes”.

A Weather: Spiders, Snakes [mp3]

* * * * *

26. Falling Off The Lavender Bridge by Lightspeed Champion (Previously #25)

Acoustic guitars, light strings, and bouncy melodies aren’t exactly what you’d expect from rock music, let along rock music fronted by a hefty British accent, yet here they are. Lightspeed Champion made rock music beautiful.

* * * * *

25. First Frost by The Lucksmiths (Previously #22)

In 2009, after a decade-and-a-half tenure as Australia’s greatest pop group, The Lucksmiths called it quits. First Frost was their final full-length and, in reality, it is one of their best.

The Lucksmiths: Good Light [mp3]

* * * * *

24. The Stand Ins by Okkervil River (Previously #12)

Over the past few years, Okkervil River has really grown into their sound, and with it they’ve strengthened their abilities, from the instruments they perform to the songs they write. This rang true throughout The Stand Ins just as it had in 2007′s The Stage Names.

Okkervil River: Lost Coastlines [mp3]

* * * * *

23. Forfeit / Fortune by Crooked Fingers (Previously N/A)

After their self-titled debut, Crooked Fingers seemed to lag a bit. I didn’t really get into the albums they released after that outstanding debut. It wasn’t until Forfeit / Fortune was released that I began to see merit return to the Eric Bachman-fronted group. And there is plenty here to enjoy, from the Tilly & The Wall-esque “Luisa’s Bones” to the Ricky Martin (WHAT? Yes!) musical styling in “Phony Revolutions”.

Crooked Fingers: Phony Revolutions [mp3]

* * * * *

22. Fear Of Flying by David Karsten Daniels (Previously #21)

“Falling Down” is one of the coolest songs of 2008. David Karsten Daniels is a storyteller that has the uncanny ability to translate narrative into song, and he does so perfectly on Fear Of Flying

* * * * *

21. Huggable Dust by Okay (Previously #20)

A curious mix of Electric President, Page France, and Bright Eyes for its oft electro-pop meets psychedelic-pop with simple mopey lyrics, Huggable Dust is truly a unique piece of work. A wonderful album!

Okay: Beast [mp3]

* * * * *

20. The Plum Album by Haakon Ellingsen (Previously #18)

Looking back over the past year, there have been a few truly underground artists that have made a splash with folks at work. These artists are ones that deserve an exponentially greater audience. Two from 2009 include We Swim You Jump and The Banyans. From 2008, the most prominent of the artists is Haakon Ellingsen. The Plum Album could have been how The Beatles would sound had they originated in Scandinavia.

Haakon Ellingsen: Sunshine Girl [mp3]

* * * * *

19. Lookout Mountain, Lookout Sea by Silver Jews (Previously #32)

2008 was really my introduction to Silver Jews. It’s sad, really, as they recently called it quits. Like David Karsten Daniels, Silver Jews’ David Berman is a phenomenal wordsmith whose ability to craft a damn good song nears par none.

* * * * *

18. If Children by Wye Oak (Previously #13)

Simplicity and complexity are both descriptive terms you can associate with If Children by Wye Oak. From minimalist moments to insanely epic heights, this duo’s modern version of post-shoegaze rock-pop demanded to be heard. Listening again to songs like “Please Concrete” and “Family Glue” I’m reminded at just how great this album is.

Wye Oak: Family Glue [mp3]

* * * * *

17. She’s The Dutchess & He’s The Duke by The Dutchess & The Duke (Previously N/A)

Another shocker in that it wasn’t on my original list, The Dutchess & The Duke’s lo-fi sounds were fit for the 70s. The male/female vocals and heavy guitar strums put forth a sound that is as infectious as the swine flu, but without need for vaccine.

The Dutchess And The Duke: Reservoir Park [mp3]

* * * * *

16. In Field & Town by Hayden (Previously #10)

What makes In Field & Town such a great album is it’s shock value. Similar to that found in Hayden’s video for “Where And When”, this album was startling. No longer were Hayden’s lyrics and songs utterly depressing. He had matured and with it was able to craft a wonderful album; not that the prior albums weren’t excellent on their own, just that this new direction was what Hayden needed in order to continue in the path of progression.

* * * * *

15. Second To The Last Frontier by Feral Children (Previously #15)

One of the few albums to keep its ranking outside the top 10, Second To The Last Frontier is truly wild. A local favorite, Feral Children effortlessly translates these crazy sounds into one of the best live performances around.

Feral Children: Spy/Glass House [mp3]

* * * * *

14. Everything Is Alive by Pomegranates (Previously #11)

Pomegranates’ Everything Is Alive is so unbelievably catchy, it has the instant ability to put a bounce in your step and a smile on your face. This is an easy band to love, one with graceful pop melodies and outstanding songwriting to boot.

Pomegranates: Thunder Island [mp3]

* * * * *

13. We Brave Bee Stings And All by Thao With The Get Down Stay Down (Previously N/A)

This is a hard album not to love. Entirely made of bouncy pop riffs, but inundated with folk sensibilities, Thao With The Get Down Stay Down really proved with We Brave Bee Stings And All that they are one of today’s most promising artists. “Beat”, “Bag Of Hammers”, “Geography” – this album has so many great tunes, it’s hard to pick a favorite.

Thao: Beat [mp3]

* * * * *

12. Hospital Blossom by The Wailing Wall (Previously #9)

A unique songwriter, Jesse Rifkin deserves indie fame. Hospital Blossom is an experimental folk album like no other, featuring plenty of eccentricities and a fair share of praise-worthy lyrics. The performances all around are near perfect.

The Wailing Wall: Hospital Blossom [mp3]

* * * * *

11. At Mount Zoomer by Wolf Parade (Previously N/A)

How At Mount Zoomer didn’t make the list last year is beyond me. The year’s best lengthy track goes to album closer “Kissing The Beehive”. Once thought not possible, Wolf Parade topped their debut with ease. At Mount Zoomer is a must-have album.

Wolf Parade: Call It A Ritual [mp3]

* * * * *

10. Eight Golden Greats by The Old Believers (Previously #8)

Listen to The Old Believers and your first impression might be that it’s something both you and your grandparents would enjoy. Eight Golden Greats fits that old-time-y sound perfectly, yet has a strange modernity to it that makes it more than appropriate for today’s youthful music fans.

The Old Believers: Granny’s Song [mp3]

* * * * *

9. Nothing Is Precious Enough For Us by Death Vessel (Previously #14)

What I like about these retrospectives is that I can re-categorize the albums in a way they should have been organized originally. In the months after creating my original Best Of 2008 list, Nothing Is Precious Enough For Us took on a new light. “Peninsula” remains one of my favorite songs from 2008, and the album remains an integral part of my playlist.

Death Vessel: Bruno’s Torso [mp3]

* * * * *

8. This Is Ivy League by This Is Ivy League (Previously #7)

This album, in my opinion, channels four historic artists: The Beatles, The Beach Boys, Simon & Garfunkel, and Kings Of Convenience. Blending the best parts of each artist and concocting various recipes of these influences, This Is Ivy League progressed folk-pop while giving a hefty nod to the genre’s past.

This Is Ivy League: London Bridges [mp3]

* * * * *

7. Grand Archives by Grand Archives (Previously #6)

Grand Archives’ debut LP was easily my most anticipated release of 2008 and it lived up to all expectations. “George Kaminski” was reworked beautifully and “The Crime Window” was the epic album climax. Few weak points on the album and several phenomenal live performances, Grand Archives quickly rose to be one of my favorite bands.

Grand Archives: Torn Blue Foam Couch [mp3]

* * * * *

6. A Certain Feeling by Bodies Of Water (Previously #5)

A Certain Feeling remained a constant on my playlist for quite some time after I discovered it in 2009. These songs are filled with the perfect amounts of vocal harmonies and plush instrumentation, all of it anthem-worthy. Truly one of 2008′s most cherished releases.

Bodies Of Water: Under The Pines [mp3]

* * * * *

5. Soft Airplane by Chad VanGaalen (Previously #4)

Soft Airplane remains an obscure but brilliant album. You just cannot deny the power of “TMNT Mask”, with its erratic solo and the outstanding cartoon video of “Molten Light” that VanGaalen did himself. Truly a master of odd things; odd but brilliant.

Chad VanGaalen: Willow Tree [mp3]

* * * * *

4. Fleet Foxes by Fleet Foxes (Previously #5)

When they debuted on the national scene in 2008, Fleet Foxes could do no wrong. Their sound brought all the great elements from the folk-rock of the 60s and 70s into modern times. With four-part harmonies and epic instrumentation, this self-titled release may ultimately go down as one of the all-time greats.

Fleet Foxes: White Winter Hymnal [mp3]

* * * * *

3. Lost Wisdom by Mount Eerie (Previously N/A)

On Lost Wisdom, Mount Eerie strips down his occasional dissonant distortion and wild erraticism for a fully acoustic sound. Title track “Lost Wisdom” is a true masterpiece. Phil Elverum has proved over and over again that he is one of most clever and brilliant minds when it comes to modern songwriting.

Mount Eerie: Voice In Headphones [mp3]

* * * * *

2. Bury The Cynics by The Lovely Sparrows (Previously #2)

Also no movement in The Lovely Sparrows’ Bury The Cynics. This album remains a folk-pop masterpiece, filled with some great tunes like “Wraith” and “Bury The Cynics”. Just this past week we posted a new video from the band; it is with great anticipation I await Shawn Jones’ follow-up to this album.

The Lovely Sparrows: Department Of Foreseeable Outcomes [mp3]

* * * * *

1. Na Na Ni by Fredrik (Previously #1)

Fredrik remains at #1 with Na Na Ni, my favorite album from 2008. Words cannot describe how excited I am for their follow up, Trilogy, due out early next year on The Kora Records. “Black Fur” and “11 Years” top this album, chalk full of great tunes. Close behind are “Evil And I” and “1986″.

Fredrik: Black Fur [mp3]

It hasn’t been all too long since Mt. St. Helens Vietnam Band released their first video for a track off this year’s excellent self-titled debut LP, out now on Dead Oceans. In “Albatross, Albatross, Albatross” the band alters tempo and volume for a song both erratic and astounding. Signature to Mt. St. Helens Vietnam Band is the wild guitars highly infectious riffs and a vocal styling that is par none. The video takes the viewer through a similar mind-altering experience; it’s the makings of a short horror story.

The plot follows a young couple who row out to an island, where a mysterious boy watches. The themes are clear: the silver locket around her neck, the quest for survival, the epic Albatross bird, mystery. It’s rare you find a video with so much depth, rare that you find one you simply must watch over and over in an attempt to glean meaning from the images and words that pour forth from the screen. “Albatross, Albatross, Albatross” is such a music video.

“Albatross, Albatross, Albatross” was directed by Matt Daniels of Thinklab. His prior work includes “Lolita” by Throw Me The Statue and “Caskets” by Damien Jurado.

Mt. St. Helens Vietnam Band: Anchors Dropped [mp3]

Mt. St. Helen’s Vietnam Band, “Albatross, Albatross, Albatross” from Matt Daniels on Vimeo.

Destruction has never been so catchy, as proven by Mt. St. Helens Vietnam Band in their video for “Cheer For Fate”. The song, as noted in my review of their self titled Dead Oceans LP, the song originated from the group’s debut, Weepy EP.

I hailed “Cheer For Fate” as perhaps the most unique and catchy tune on the EP and that status carried over onto Mt. St. Helens Vietnam Band. The video finds Mt. St. Helens Vietnam Band destroying material possessions and destructing the interior of a house.

The result makes it one of the best videos so far this year; from the old film used to their indie-pop attire, this video is quite nontraditional. Yet it fits perfectly with the Seattle band’s song. Summation: Mt. St. Helens Vietnam Band is one of the hottest bands out there today.

Mt. St. Helens Vietnam Band heads out on a West Coast tour this week with Cursive. Check the Pacific Northwest dates; it all kicks off tonight in Seattle.

6/23 – Seattle, WA – Neumo’s
6/24 – Portland, OR – Wonder Ballroom
6/26 – Orangevale, CA – Boardwalk
6/27 – San Francisco, CA – Great American Music Hall
6/28 – Los Angeles, CA – El Rey
6/29 – Pomona, CA – Glasshouse

Mt. St. Helens Vietnam Band: Cheer For Fate [mp3]

Mt. St. Helens Vietnam Band: Anchors Dropped [mp3]

Four of the eleven tracks on the latest release by Mt. St. Helens Vietnam Band, actually their debut full-length, are not exclusives. These four can also be found on their Weepy EP and include opener “Who’s Asking”, “Cheer For Fate”, “Anchors Dropped” and “Dull Reason”. But, to be honest, I could care less. Mt. St. Helens Vietnam Band is a phenomenal release worthy of as much esteem as the whole world can muster.

Like the tracks off Weepy EP, the seven exclusives are filled with edgy, gritty rock in the vein of Wolf Parade and Tapes ‘N Tapes. Mt. St. Helens Vietnam Band, however, makes the sound their own with, for example, forays into romantic waltz breakdowns as found in “Masquerade”. They include clever plays on time throughout the song and throughout the album. It’s obvious that there is skill here, and that the skill is bristling to burst forth – it is a trait the band possesses that, oddly enough, this band has barely tapped.

Skill. It’s bountiful here; check out the percussion in “Going On A Hunt” and listen how the band transitions and transforms from that song to the ballad-worthy first half to “A Year Or Two”. And the harmonies! You’ll be hard-pressed to find these abilities in either of the aforementioned contemporaries’ debuts. Sure, they may have come close, but… wow. It’s enough to leave you speechless.

If you thought Mt. St. Helens Vietnam Band prooved themselves on Weepy EP, you haven’t heard anything yet. The iceberg has been tapped and as it melts, out pours skill that grows more and more impressive as the album commences. Keep an eye on this band, folks – there’s something special here that simply cannot be ignored!

Mt. St. Helens Vietnam Band: Cheer For Fate [mp3]

Dead Oceans [CD, 2009]

1. Who’s Asking
2. Masquerade
3. Cheer For Fate
4. Anchors Dropped
5. Going On A Hunt
6. A Year Or Two
7. Albatross, Albatross, Albatross
8. Dull Reason
9. Little Red Shoes
10. En Fuego
11. On The Collar

There’s a low buzz in the air. You can only hear it if you listen hard—very hard. But it’s there; it’s quiet now but it’s gaining in ferocity, gaining in momentum. Pretty soon it will dominate all. The buzz is that of people talking—the good ol’ word of mouth style of promotion—about Mt. St. Helens Vietnam Band. I first caught wind of the buzz a few months back and, yesterday when I saw Weepy sitting on a shelf, I couldn’t resist picking up a copy (I’m a sucker for WOM impulse buys).

There are only four songs here, tucked softly into a homemade felt enclosure held together by yarn and a button. The colors are, for the most part, primary, but the pop/rock held within covers a much wider aural spectrum. They’re vibrant and radiant and they shine very brightly.

You may draw the conclusion that this EP sounds a bit like something Wolf Parade may have recorded in their early days—however, you’d only be part right. So the vocals are reminiscent of Spencer Krug. And in the edgy guitars ring that influence too; perhaps they are no more prominent than in “Who’s Asking”. But big whop. What Mt. St. Helens Vietnam Band is, of course, is good. On constant repeat is opener “Cheer For Fate”, perhaps the most unique and catchy tune on the EP, but the rest are just behind.

When I listen to an album for the first time, I rate it in iTunes. The songs that receive four or five stars get added into my Party Shuffle, which I listen to when I’m not focused 100 percent on the music—i.e. when I want background music. If my review hasn’t convinced you to check out the band yet, maybe this will: Every song on Weepy received a full five stars.

Mt. St. Helens Vietnam Band: Dull Reason [mp3]

[CDEP, 2008]

1. Cheer For Fate
2. Dull Reason
3. Who’s Asking
4. Anchors Dropped