Stuarto Glasser, host of the All Around the World Music Show, called me up a little after 5pm Friday and asked if I could fill in for him. Thinking it would be a great way to attract a few more listeners I agreed. I headed home and put together a playlist of some of my favorite indie artists from around the world.

This show began like any other, but without the transition difficulties. All was smooth. The music, on the other hand, was not. After a long, satisfying week, I was in need of some loud, abrasive rock music. But it wasn’t all like that. Due to the cold weather, I mixed in some beach pop, fuzzy dream pop and good old garage rock and pop.

It’s been a hair under three years since the last proper Math & Physics Club release, an EP titled Baby I’m Yours, and just about four since their debut and only LP, 2006′s Math & Physics Club. Prior to the so-called hiatus, the band had been quite busy, also participating in a single compilation in ’06 and two additional EPs back in ’05. One might have gotten the impression the band was no more. Thankfully, they would have been wrong. The band is back with a …

On June 6, 2006, FensePost went live. Since its inception, I’ve written more than 1,000 album reviews and countless features, track reviews, live reviews, and video reviews. My collection has grown exponentially. I have a room in my house devoted entirely to records. CDs go in the living room and I’m out of shelving space. To say FensePost has become a big part of my life would be an understatement. It’s as much a second job as it is a hobby.

“Sixteen & Pretty” may be my favorite song by Seattle indie-pop group Math & Physics Club. It is a soft ballad filled with jangle and some light strings. There is little I find sweeter than this song, featuring tambourine in the chorus and lyrics reminiscent of an innocent first kiss.

As a child I was fascinated with the Beach Boys. Songs about surfing and care-free relations with women on the beach made my feet tap, though many of the latter references were well above my head. All that mattered was that they had hot rods on their record covers and that they looked cool. I found Brian Wilson to be not only the best looking of the bunch, but also the one with the most charm and grace. He appeared natural on the back of the cover while the rest …