Man, what a wild week. And I’m not talking about the wild you indie folk are used to, likely boozing it up and partying every night. I’m talking about the working life, the stress of the job, the busy days and exhaustion-laden nights. Going to bed at 9:30; I feel old.

This show began like any other, but without the transition difficulties. All was smooth. The music, on the other hand, was not. After a long, satisfying week, I was in need of some loud, abrasive rock music. But it wasn’t all like that. Due to the cold weather, I mixed in some beach pop, fuzzy dream pop and good old garage rock and pop.

Jeremy Jay debuted on the scene in 2007 with singles for Airwalker and We Were There. I snagged both of those at the time, and I really enjoyed them. His debut LP, A Place Where We Could Go, too, was impressive. He then released a few more LPs and a few more singles, and that leads us to his fourth album, Dream Diary. Born and raised in California, Dream Diary has that state’s sound — it’s sunny, but it irks to get away from the cookie cutter …

So this is it, the first FensePost Podcast. A few weeks ago I sat down and compiled a mix of various songs; some new, some old, most finding some relation to garage rock or garage pop. Hence the title, From The Garage. The theme is loose, so some bands fit and some don’t. There are sixteen songs total here, stemming from local Seattle and Portland acts on across the world. New Zealand, Sweden, Canada… you get the picture. Enough banter — listen to the FenseCast …

Jeremy Jay is an old soul. His young demeanor, as pictured on the cover of this lovely single, is much more mature than his age. Similarly, the music he makes spans an age much greater than his. The songs, while not necessarily theatrical, have a vivid visual element to them that assists in creating a quite expansive library of aesthetic features. Were Jim Morrison to have instead spent his time with the creatives in the Chelsea Hotel, he may have sounded like this.