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	<title>FensePost &#187; helio sequence</title>
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		<title>The Helio Sequence: Keep Your Eyes Ahead [Album Review]</title>
		<link>http://www.fensepost.com/main/2009/03/14/the-helio-sequence-keep-your-eyes-ahead-album-review/</link>
		<comments>http://www.fensepost.com/main/2009/03/14/the-helio-sequence-keep-your-eyes-ahead-album-review/#comments</comments>
		<pubDate>Sat, 14 Mar 2009 23:50:17 +0000</pubDate>
		<dc:creator>Fense</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[helio sequence]]></category>
		<category><![CDATA[sub pop]]></category>

		<guid isPermaLink="false">http://www.fensepost.com/main/?p=2590</guid>
		<description><![CDATA[
Up against Love And Distance, there is virtually no recognizing The Helio Sequence we once cherished.  Gone are the upbeat poppy keyboard riffs of &#8220;Harmonica Song&#8221; and the super-dance driven electronics of &#8220;The People Of The Secret&#8221;.  Gone are the hip-swaying, feel-good lyrics of &#8220;Everyone Knows Everyone&#8221;.  And there&#8217;s practically no trace of harmonica to be heard.  Yet Keep Your Eyes Ahead holds its ground as, possibly, an even more profound album then The Helio Sequence&#8217;s 2004 Sub Pop release. 
Opening with &#8220;Lately&#8221;, we&#8217;re given deep, ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://fensepost.com/main/images/bands/h/the_helio_sequence.jpg" alt="The Helio Sequence" /></p>
<p>Up against <em>Love And Distance</em>, there is virtually no recognizing <a href="http://www.myspace.com/theheliosequence">The Helio Sequence</a> we once cherished.  Gone are the upbeat poppy keyboard riffs of &#8220;Harmonica Song&#8221; and the super-dance driven electronics of &#8220;The People Of The Secret&#8221;.  Gone are the hip-swaying, feel-good lyrics of &#8220;Everyone Knows Everyone&#8221;.  And there&#8217;s practically no trace of harmonica to be heard.  Yet <em>Keep Your Eyes Ahead</em> holds its ground as, possibly, an even more profound album then The Helio Sequence&#8217;s 2004 Sub Pop release. <span id="more-2590"></span></p>
<p>Opening with &#8220;Lately&#8221;, we&#8217;re given deep, thoughtful lyrics and low, dark vocals that make up the majority of the album.  The electronic side of The Helio Sequence remains; it&#8217;s the upbeat part of the electronics and vocals that fades away throughout much of the album.  &#8220;Can&#8217;t Say No&#8221; returns to lightly upbeat electronic-pop, albeit still much darker than virtually anything off <em>Love And Distance</em>, and &#8220;You Can Come To Me&#8221; which puts early U2 like vocals in front of an atmospheric electro-pop backdrop.  &#8220;Hallelujah&#8221; almost fits the upbeat mold, but maintains the newly delicious dark side of The Helio Sequence.</p>
<p>&#8220;The Captive Mind&#8221; stands out a prominent tune; the guitars add an atmospheric element that heightens the mysteriousness of the song.  This atmospheric sound is common throughout the album.  &#8220;Back To This&#8221; slows things down once again, overdosing the song in spacious guitars and lazy, swaying lyrics.  &#8220;Hallelujah&#8221;, amidst heavier electronic backing, even has the prominent guitar-ridden dreaminess.</p>
<p>While <em>Keep Your Eyes Ahead</em> is packed with great tunes, &#8220;Shed Your Love&#8221; may be the ultimate high point.  The acoustic finger-picked guitar and low, echoing vocals are fit to remind the listener of the greatness of The National&#8217;s <em>Boxer</em>. Similarly, the title track follows suit but fits the mold of <em>Boxer</em>&#8216;s louder tracks.  &#8220;Broken Afternoon&#8221;, while returning to the finger-picked guitar, is not necessarily reminiscent of The National, but nonetheless forces the listener to focus on the vocalist due to more minimal instrumentation.</p>
<p>Closing with the short, awkward &#8220;No Regrets&#8221; is almost fitting.  It gives The Helio Sequence a closing tune similar to the opening ones off Clap Your Hands Say Yeah albums, though not necessarily a throwaway track.  It is the lone tune that brings back the harmonica.  It also builds toward the end with a blues-ey harmony chorus packed with vocalists.  It&#8217;s readily apparent that in <em>Keep Your Eyes Ahead</em>, The Helio Sequence never looks back.  And in doing so, they&#8217;ve distanced themselves from some of their earlier work and created a masterpiece. </p>
<p><strong>This review was originally published January 24, 2008 on the old version of FensePost.</strong></p>
<p><a href="http://fensepost.com/main/audio/090314_the_helio_sequence_-_keep_your_eyes_ahead.mp3">The Helio Sequence: Keep Your Eyes Ahead [mp3]</a></p>
<p><img src="http://fensepost.com/main/images/albums/h/the_helio_sequence_-_keep_your_eyes_ahead.jpg" alt="Keep Your Eyes Ahead by The Helio Sequence" /></p>
<p><em><a href="http://subpop.com/">Sub Pop</a> [CD, 2008]</em></p>
<p>1. Lately<br />
2. Can&#8217;t Say No<br />
3. The Captive Mind<br />
4. You Can Come To Me<br />
5. Shed Your Love<br />
6. Keep Your Eyes Ahead<br />
7. Back To This<br />
8. Hallelujah<br />
9. Broken Afternoon<br />
10. No Regrets</p>
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