In 2010, Young Hunting released a single called Into Your Mind; featuring the band at the time, I noted how the band was somewhat reminiscent of Swedish artist Moto Boy. The band also employed hints of The Beach Boys-style harmonies and had some Harry Nillson references too. Three years later, after a handful of additional… Continue reading Young Hunting releases Hazel on Gold Robot Records
It is surprising to hear Railcars stripped down, without the terrifying noise and Aria Jalali’s Jamie Stewart (Xiu Xiu) like shrieks. Said Sister covers a different side of Jalali’s basement noise pop outfit, featuring two early tracks each with a different female vocalist.
A quick read-up on Ned Oldham will tell you he creates mystical Americana folk songs. A listen to his music will support those words. You could even consider questioning his namesake — could it be the less backwoods kin of Will Oldham? Indeed he is. Here he steps out from behind his more well known… Continue reading Ned Oldham: Let’s Go Out Tonight 7″ [Review]
From the drummer that accompanies, in my humble opinion, two of the greatest current bands in existence today, Papercuts and Beach House, comes Roman Ruins whose 7″ single Pastor/Al is now out on Gold Robot Records. Like the two greats, Roman Ruins creates surreal pop music with a dreamy edge that is inherently cool.
Björn Kleinhenz creates pleasant folk-pop with a romantic edge. Like a Swedish version of something by Iron & Wine’s Sam Beam, “The Mountain Pt. 2” features a soft acoustic guitar, finger-plucked to a calming bliss and accompanied by beautiful vocals. Kleinhenz coos: I am a mountain now, I am the sea and sky, I am… Continue reading Björn Kleinhenz: The Mountain Pt. 2 [mp3]
From the beach to the mountains, Seamonster‘s Two Birds echoes utmost pleasantries through the audible channel of lo-fi psychedelic folk-pop. Its pop charm is masked by the static white noise of immense distortion, mixed down to a satisfactory non-overpowering level, and warped with the sounds of summertime. “Oh Appalachia” is a beachgoers ode to the… Continue reading Seamonster: Two Birds [Album Review]
San Francisco garage-noise-pop outfit Railcars dropped their new record yesterday, a mystical collective of ferocious bouts of electro noise dubbed Cathedral With No Eyes. You may remember Railcards from our debut/premiere of “Passion Of St. Edmund (Rebirth)”, or maybe even our premature review of Cathedral With No Eyes from a month and a half ago.… Continue reading Railcars Take Miraculous ‘Cathedral With No Eyes’ On The Road
Cathedral With No Eyes is a rarity — it’s an album that would be ideal from start to finish in a live setting. Raw with passion, overwhelming with overly disorienting music so loud it drowns out any errant thoughts.
I love stumbling across great acts by mistake. Recently, elsewhere, I posted a brief rant on the Joy Division film about Ian Curtis called Control. In the post, I noted that my true introduction to Joy Division’s music stemmed from a cover of “Celebration” Xiu Xiu included on Chapel Of The Chimes. Well, when I… Continue reading Railcars [Feature Band]