Adam Hill‘s style of folk always donned the traditional styling so often seen as timeless within the centuries-long timeline the genre encompasses. Them Dirty Roads is, for the most part, no exception. But when the fiddles and acoustic guitar are removed, as found in opening track “Prelude”, something else happens — Hill produces a sound quite unorthodox, featuring a trumpet and static samples. As a prelude, the track works wonders to introduce Hill’s very clear-cut folk.

Discard the fact that Ben Meyercord is a friend of mine. Discard the fact that he often contributes to this website. I did. Listening to Meyercord’s debut EP Childish, I wanted to take on a fresh perspective. I wanted to be endearing and honest in my recount of the EP, so that’s how I approached it.

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