Articles tagged with: domino records
Song Reviews »
Archie Bronson Outfit‘s single “Shark’s Tooth” seems to be set in a time and space completely separate from existence we know. Its drastically elevated tempo is dance-floor worthy, though precisely too high. It is surf music taken to a brand new, quite radical level. Archie Bronson Outfit has this beat-driven euphoria that is sure to whisk you away to a heavenly place buried in your subconscious, where all you care to do is dance until your feet blister and fall apart. A fair warning needs to …
Album Reviews »
Accessibility is a consistent wild card when the topic at hand is Animal Collective. With their latest EP, Fall Be Kind, we’re treated with five surreal, cohesive songs much more accessible than their early work and consistent with the more recent path Animal Collective has taken. These songs lack the abrasiveness of the band’s prior releases, packed with dreamy landscapes of sound both hypnotic and mesmerizing. It is, at the most rudimentary of levels, melodic.
Fall Be Kind is missing the shrieks and screams and instrumental …
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The last Four Tet album was released well over four years ago, so it’s a bit surprising to hear Kiernan Hebden has a new one on the horizon. That new one has a name: There Is Love In You. And it has a release date: January 26, 2010. Expect good things from the Domino Records release; we’ll all be treated with a two-track 12″ single early next month for the a-side track “Love Cry” and a b-side dubbed “Our Bells”. There Is Love In You will …
Album Reviews »
Devonte Hynes was once in a band called Test Icicles and if you’re aware of that group’s blend of indie-rock, hip-hop and punk, be prepared to be surprised, ‘cause Hynes’s new project Lightspeed Champion is a pretty big change. Instead of the loud guitars that fit well with similar groups like pre-Islands band The Unicorns, Hynes now focuses his talent on creating minimalistic orchestral-like movements with a violin and acoustic guitar.
Album Reviews »
Written by Jon Hegglund
The first time I listened to The Devil, You & Me, I put it on the iTunes and walked away from the computer to do some chores around the house. At one point, after I thought the album had played in its entirety, a muted, pretty acoustic guitar came floating out over the computer speakers. I thought, initially, that it was the opening to Nick Drake’s lovelorn folk ballad, “Northern Sky.” Before my confusion could be cleared up—wait, “Ni” should come before “No,” right?—Markus …



