Stuarto Glasser, host of the All Around the World Music Show, called me up a little after 5pm Friday and asked if I could fill in for him. Thinking it would be a great way to attract a few more listeners I agreed. I headed home and put together a playlist of some of my favorite indie artists from around the world.

The first half of the list below aired as the split show: The Indie Music Show from All Around the World. I began with some lovable indie pop and transitioned into something a bit more energetic and beat-heavy. This was good, as 4 hours by myself in the booth is a bit exhausting, especially for someone with a fairly early bedtime (around 10:30pm).

“Orienteering” by Little Name off How to Swim & Live
“The Ground Falls Away” by The Zebras off New Ways of Risking Our Lives
“Smokers In Love” by The Lucksmiths off Staring At The Sky

“When Sun Falls On My Feet” by Starlet off When Sun Falls On My Feet
“Mad World” by The Snowdrops off Mad World
“A Lighthearted Lovesong” by The Pets off Love & War

“Boat Behind” by Kings of Convenience off Declaration of Dependence “Piazza New York Catcher” by Belle & Sebastian off Dear Catastrophe Waitress
“My Maudlin Career” by Camera Obscura off My Maudlin Career

“Where Have We Been?” by Acid House Kings off Music Sounds Better With You
“Slapp Inb Solen” by [ingenting] off Labrador 100 “Soviet.se” by The Lovekevins off Max Leon

“Velveteen” by Still Corners off Creatures of an Hour
“Waving Surface” by Anois off Foreign Tragedies

“Shed Like An Hour” by Snails off Shed Like An Hour b/w Daylight Ends
“Drover” by Bill Callahan off Apocalypse

“Western Hospitality” by Club 8 off The People’s Record
“Your Cover’s Blown” by Belle & Sebastian off Books
“1517″ by The Whitest Boy Alive off Rules

“Only Love Can Break Your Heart” by Saint Etienne off Foxbase Alpha
“Verdens største land” by Casiokids off Topp stemning på lokal bar
“Unessa” by Regina off Soita Mulle

“Bad Street” by Twin Sister off In Heaven
“What Became of You and I?” by Treefight for Sunlight off A Collection of Vibrations for your Skull
“Olio” by The Rapture off Echoes

“Another Heaven” by Pallers off The Sea of Memories
“Raise Me Up” by Hercules And Love Affair off Hercules And Love Affair
“Eyes Be Closed” by Washed Out off Within And Without

“Our Own Dream” by Keep Shelly In Athens
“Honey Mine (feat. Victoria Bergsman)” by Korallreven off Honey Mine 7″ Single
“Good Evening” by The Concretes off WYWH
“Who Do You Love” by Museum of Bellas Artes off Force Majeure

“New Violence” by White Williams off Smoke
“Courtship Dating” by Crystal Castles off Crystal Castles
“In Heat (Javelin Remix)” by Health off Disco2

“Guys Eyes” by Animal Collective off Merriweather Post Pavillion
“Photojournalist” by Small Black off New Chain
“Walkabout (with Noah Lennox)” by Atlas Sound off Logos

“17″ by Youth Lagoon off The Year Of Hibernation
“Natural” by Okay off Huggable Dust
“While We’re Young” by Inspired And The Sleep off Teenager

“Run Through My Hair” by Oneida off The Wedding
“The Wayward Granddaughter” by The Fiery Furnaces off Rehearsing My Choir
“I Was Never Young” by Of Montreal off The Sunlandic Twins

“The Messiah Is Falling” by Ulrich Schnauss & Mark Peters off Underrated Silence

Friday evening was a mad house. Getting into the station wasn’t the issue, as I expect it will be in the coming weeks now that winter is upon us; it was the transition. Transitioning from one on-air personality to another is a bit nerve-wracking. The quarters are cramped, the mic is hot, and you have to do your best not to step on their toes as they wrap their show and you begin yours. And when it’s time to fly, you have to remember which buttons should be lit and which ones shouldn’t.

After the first song, things are fine. It’s just that initial track that likes to pose issue. It did it in late October, and it did it again on Friday. The song eventually hit the airwaves, and we were rolling.

November 4 was all about pop music. Some loud, some soft, some orchestral, some experimental. All good. No surprise, many songs came from overseas — Sweden (an obvious favorite) and Denmark being the most prevalent.

Here’s something a little new for these features. At bottom, I’ll make note of a few tracks, bands and albums from the playlist and include an mp3 for your enjoyment, when available. Typically these will be ones not yet covered on the site.

On to last Friday’s playlist:

“Do What You Wanna Do” by Acid House Kings off Sing Along With The Acid House Kings

“Reaching Through To The Other Side” by My Brightest Diamond off All Things Will Unwind
“The Strangers” by St. Vincent off Actor
“Adelai” by Lohio off Family Tree

“New Colors” by Figurines off Figurines
“Time Stretcher” by Treefight For Sunlight off A Collection of Vibrations for Your Skull
“We Were Wild” by Today The Moon, Tomorrow The Sun off W I L D F I R E

“Wake Up” by Arcade Fire off Funeral
“Echoes” by I Was A King off Old Friends
“Ran Into A Coroner” by Built Like Alaska off Autumnland

“By The Sea” by Summer Fiction off By The Sea (Digital Single)
“Worry A Lot” by The Zebras off Worry A Lot

“Where Have We Been?” by Acid House Kings off Music Sounds Better With You
“Slippery Slope” by The Dø off Both Ways Open Jaws

“To Depart” by Suturee off Among Friends EP
“Welcome Here” by Jeff Hanson off Jeff Hanson

“All This World” by Arco off Driving At Night (7-inch Single)
“The Images We Get” by Sugarplum Fairies off The Images We Get
“Lazy Line Painter Jane” by Belle & Sebastian off Lazy Line Painter Jain (Single)

“A Good Thing” by Saint Etienne off Boxette (Disc 4: Eric Random)
“Western Hospitality” by Club 8 off The People’s Record

“How Come” by Avi Buffalo off How Come (7-inch Single)

End playlist. On to a few feature tracks. The first is from Suturee, a male-female bedroom pop duo out of New York. “To Depart” is off their recent five-song EP Among Friends and it features a little more volume than I remember from their earlier work. It still fits the bedroom pop mold; though, if you have a chance, check out the final track on the EP, “Name Remains”, as it employs a volume more in tune with shoegaze than bedroom pop. Listen to “To Depart” below…

Listen: “To Depart” by Suturee

The second and last song I’ll feature this week is a brand new one by up-and-coming French band The Dø. “Slippery Slope” is off the band’s second release to hit the states, Both Ways Open Jaws. While not all songs are as punchy and, well, almost indicative of the over-blasted pop side of mainstream music as that of “Slippery Slope”, they’re all very good. This song reminds me of the realm MGMT fit into upon their release of Oracular Spectacular (or maybe The Ting Tings’ 2008 track “That’s Not My Name”). This song could make The Dø blow up. It’s that good, and it’s that accessible to the greater population.

Download: “Slippery Slope” by The Dø

The problem with so-called best-of lists, is that they are really just a collection of items organized based on experience and time, in that there will be plenty of albums heard the following year and beyond that will hold just as much weight as these we dub as “Best.” So, as of right now, at this particular time in the tail end of 2010 and the first moments of 2011, these albums are the best. There’s no question about it; it will change. My next list (which I’ve started, but may take a while to publish) is dubbed, paraphrase: the best albums I didn’t check out in 2011 for some reason or another.

Ultimately that will include greats as notable as Deerhunter, LCD Soundsystem, The National, and Surfer Blood. Why didn’t I check these bands out? Their albums, in their entirety, were not sent to me. With limited funds due to a mortgage, bills and a super sweet European coupe (pictured above) that will be an endless pit of money for me over the course of the next few years, I didn’t have enough free cash to afford them.

Despite not checking out many of the albums topping other bloggers’ top album lists, I have to say that 2010 was a pretty amazing year for music. Locally, there were some really legit bands, and that trend seemed to extend across the states and over the ponds. My list is populated, as usual, with several from Sub Pop. You’ll also find a self-released LP here or there, and albums from label favorites such as Labrador, Hometapes, Hardly Art and Abandoned Love.

I digress. Enough banter — let’s begin.

* * * * *

1/3. Dream Talking 7″ by Family Trees

First, the one-third. An honorable mention. The only 7″ single to make the list. With a mere single — this one — under their belt, Family Trees has captured my heart. This band’s old-time lo-fi pop sound is borderline perfect throughout all three songs on the Dream Talking single.

Download: “Dream Talkin” by Family Trees

* * * * *

33. Tidelands by The Moondoggies

I was going to slip in the Carissa’s Wierd compilation of songs from all their albums, which was released by Hardly Art this year at the same time they reissued all three of the band’s LPs, but then my friend Pete Voss reminded me of how great The Moondoggies’ Tidelands was. As all the music on Tidelands was put out this year as opposed to previous years, I figured I’d bump CW in favor of this one, and I’m glad I did. Revisiting Tidelands, we’re quickly and easily reminded of just how great this band has become. A definite do not miss that was almost left off.

Download: “It’s A Shame, It’s A Pity” by The Moondoggies

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32. I Will Be by Dum Dum Girls

2010 continued the obsession with lo-fi fuzzy pop, and that’s what Dum Dum Girls create best. A lot of people hung on to “Jail La La” from the get go as a favorite, but I latched onto title track “I Will Be” almost instantly. Word is that Dum Dum Girls will have a follow up in the very near future. If it’s anything like I Will Be, we’ll be in for a treat.

Download: “Jail La La” by Dum Dum Girls

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31. Expo 86 by Wolf Parade

Much like the albums of Canada’s Stars, Wolf Parade’s records have always been sleepers for me. There are a lot of great songs on Expo 86 and it picks up, in many ways, where At Mount Zoomer left off. It doesn’t have that epic style of track like Zoomer‘s “Kissing The Beehive” though; still, I’ll probably regret putting it so low on the list in six months.

Download: “What Did My Lover Say? (It Always Had To Go This Way)” by Wolf Parade

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30. Unrecognize by Cock And Swan

Johnny Goss and Ola Hungerford are the two main forces behind Cock And Swan, an experimental electronic group based in the northern outskirts of Seattle. They’ve been a FensePost favorite since the beginning, having released Noon Hum around the time of this blog’s launch in 2006. I ran into the duo at the final Dept. of Safety show in Anacortes and they slipped me this record. It finds them expanding their experimental nature while growing in confidence and ability.

Download: “Stash” by Cock And Swan

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29. Frolics In The Pink EP by Son Of Rams

The project of Joseph Pruitt whose band Family Trees began this list, Son Of Rams is his garage-based solo project that blends extreme fuzz with crazy good vocals and the sound of three decades ago.

Download: “Triple Eyed” by Son Of Rams

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28. Zeroes QC by Suuns

A descriptive word comes to mind while listening to Suuns, and that elusive word evaded me for quite some time. Then I saw it tucked into the words from Sean Moeller of Daytrotter: paranoia. Their music is filled with hints of it, and while the experience of paranoia is not always a pleasant thing, you’ll like their take on it. It’s wild-eyed and frenzied, anxious and nervous. And it will blow your mind.

Download: “Arena” by Suuns

* * * * *

27. Lupon by Y La Bamba

The best folk music, in my opinion, isn’t just folk music. It always includes something a little more, something orchestral or experimental, something that sets it apart from traditional folk. Y La Bamba crafts their unique folk elements out of highly original vocal harmonies, occasional pop-worthy guitar riffs, and orchestral hooks.

Download: “Juniper” by Y La Bamba

* * * * *

26. Cracked Love & Other Drugs by Unnatural Helpers

Thick guitar riffs and rough drums fronted by gritty vocals. Everything about Unnatural Helpers is loud, and that’s what makes it so freakin’ sweet. It’s raw and harsh, and I wouldn’t have it any other way.

Download: “Sunshine / Pretty Girls” by Unnatural Helpers

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25. Travellers In Space & Time by The Apples In Stereo

Of all their records, The Apples In Stereo have impressed greatly, but I don’t think any have, as a whole, struck me as ‘great’ as much as Travellers In Space & Time. The futuristic pop melodies and lovable pop hooks had me from the opening moments of “Dream About The Future”. Plus, who couldn’t love that music video with Elijah Wood!?

* * * * *

24. Again & Again by Thieves Like Us

I’ve been obsessed with Again & Again since first hearing “Shyness”. Hinting of an 80s style electronica, filled with heavy synths, dreamy beats, and emotive vocals, Thieves Like Us continues to impress.

Download: “Shyness” by Thieves Like Us

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23. Each Other All The Time by Cowboy Indian Bear

From the hometown of The Anniversary (Lawrence) comes Cowboy Indian Bear, whose music is similarly sonic and equally excellent. It’s dreamy yet lucid. Each Other All The Time meshes pop and rock brilliance with epic, swirling guitars.

Download: “Saline” by Cowboy Indian Bear

* * * * *

22. Crazy For You by Best Coast

My 2009 love for garage pop continues, albeit not nearly as strong. Best Coast fits that sound and Crazy For You mixes a sound similar to Dum Dum Girls, Vivian Girls, and other girl-fronted garage groups. This one takes the cake, though, thanks to brilliant songs like “Boyfriend”, “Crazy For You” and “When I’m With You”.

Download: “Boyfriend” by Best Coast

* * * * *

21. Transference by Spoon

A lot of people dropped that Ga Ga Ga Ga Ga album on their best of lists back when it was released, but that album didn’t hit me as hard as Kill The Moonlight or Gimme Fiction. Transference, on the other hand, does. It’s warrants a place on year’s end lists.

* * * * *

20. Play It Strange by The Fresh & Onlys

The Fresh & Onlys’ style of garage rock/pop has been hyped up a lot over the past few years, and it’s easy to hear why. Their songs are extremely good. “Waterfall” dominates as a favorite, but in truth, much of Play It Strange is just as great as their hit single.

Download: “Waterfall” by The Fresh And Onlys

* * * * *

19. Beach Fossils by Beach Fossils

God I love Beach Fossils’ style of beach pop. Ringing lo-fi guitars, totally beachy, and lovable reverb-filled vocals are their signature and it’s all super dreamy and overwhelmingly catchy.

Download: “Youth” by Beach Fossils

* * * * *

18. The Goodnight Loving Supper Club by The Goodnight Loving

I’ve been hooked on this band since first hearing their LP The Goodnight Loving Supper Club. Their sound is one that is unexpected, yet amazingly original. They blend a southern style of folk and rock and (yes, even a bit of) country with a clever sounding garage pop.

Download: “The Pan” by The Goodnight Loving

* * * * *

17. Elf Power by Elf Power

Not since Back To The Web has Elf Power made such a strong impact. Focusing on creating excellent music rather than crafting a clever album name, Elf Power’s self titled release is perhaps their best yet.

Download: “Stranger In The Window” by Elf Power

* * * * *

16. Piecemeal by Like Pioneers

Like Pioneers was a hidden gem, released by a local favorite, Abandoned Love Records. It was unexpected — this album is just as good as anything released by my two favorite ALR bands, The Lonely Sparrows and Virgin Of The Birds.

Download: “Gift From A Holiday” by Like Pioneers

* * * * *

15. Hippies by Harlem

I’ve been a bit obsessed with Hippies by Harlem since first hearing it. This album accompanied me on many trips to Seattle and Bellingham. I’d have songs like “Prairie My Heart” and “Someday Soon” and “Tila And I” on constant repeat. This is rough, sloppy garage pop at its absolute best.

Download: “Gay Human Bones” by Harlem

* * * * *

14. Beach Dreams by Teen Daze

Technically, this is an EP, but I felt compelled to include it in the list because it is just that good. Beach Dreams has become a complete obsession in the last few weeks of the year with well over 30 total spins. With this EP, Teen Daze has created a perfect balance between beachy pop and lo-fi fuzz. You’ll be hard pressed to find a better song to fit these two pop sub-genres this year than “Let’s Fall Asleep Together”.

Download: “Let’s Fall Asleep Together” by Teen Daze

* * * * *

13. Odd Blood by Yeasayer

Odd Blood took a while to catch on for me, but when it did it became as much a mainstay on my playlist as All Hour Cymbals ever was. Yet it took a slightly different direction from that album; this one has some of the experimental elements, yet adds electronic ones. It vibes differently, lacks some of the instrumentation, but it’s just as good.

* * * * *

12. Write About Love by Belle & Sebastian

Just outside the top ten, Write About Love is perhaps my least favorite Belle & Sebastian album, which says a lot about my feelings toward this band. Write About Love strayed a bit from the band’s previous work, a bit too much. Still, it was a solid album for the most part thanks to super standout songs like “I Didn’t See It Coming”, “Come On Sister” and “I Want The World To Stop”.

* * * * *

11. Home Away From Home by The Blank Tapes

In a recent issue of Seattle Weekly, The Long Winters’ John Roderick listed his top ten reasons why he’s not doing a top ten list this year. It was brilliant. The ninth item on the list states that it’s all depends on who has the best publicists. In many cases of top ten lists, I’d have to agree with him. In the case of The Blank Tapes, this is about as far from the truth as possible. I received a nondescript little CD sleeve picturing that there cover above and a little note from one Matt Adams, the band’s front man. I popped it in my laptop and have been hooked ever since, from the upbeat pop of “We Can Do What We Want” to the wild solo concluding “Flashing Before Your Eyes” to the experimental elements of opener “Black Hair”. It’s all excellent.

Download: “We Can Do What We Want To” by The Blank Tapes

* * * * *

10. Magic Central by Breathe Owl Breathe

I noticed a bit of a change in my listening habits throughout 2010, and it can be reflected in the top ten. Dreamy folk and pop albums, hints of orchestration, and an overall predilection toward pleasant harmonies and melodies. Magic Central by Breathe Owl Breathe sits on the folk side, but they blend in dreamy, poignant melodies ripe with originality.

Download: “Own Stunts” by Breathe Owl Breathe

* * * * *

9. Trilogi by Fredrik

Fredrik returns with Trilogi, which is actually three EPs molded together as a single album. Trilogi picks up almost exactly where Na Na Ni left off; the band continues to create haunting experimental dream pop that is insanely good.

Download: “Vinterbarn” by Fredrik

* * * * *

8. The People’s Record by Club 8

The transformation Club 8 took between The Boy Who Couldn’t Stop Dreaming and The People’s Record is almost shocking. The Swedish duo held onto what matters most — their super infectious pop hooks, their superb songwriting ability, and those indescribable elements that makes you fall in love with the band. Then they added hints of psychedelic pop dominated by a warp-speed West African style of drums.

Download: “Western Hospitality” by Club 8

* * * * *

7. To Dreamers by Kelley Stoltz

I dug Stoltz before To Dreamers, but it was really just select songs that I pinpointed off his albums. As a whole, they were good but not great. To Dreamers, however, is great. This album is solid throughout.

Download: “I Don’t Get That” by Kelley Stoltz

* * * * *

6. The Head And The Heart by The Head And The Heart

I think The Head And The Heart took everyone by surprise this year. Their self-titled debut was praised to no end on Sound On The Sound, and after checking them out I’d have to say it all was warranted. There’s good reason the band signed to local label Sub Pop, and I know I’m not the only one looking forward to what this crew has in store for us next.

Download: “Coeur D’Alene” by The Head And The Heart

* * * * *

5. To Travelers & Trunks by Hey Marseilles

It was the year for orchestral pop and Hey Marseilles, who takes the cake as best show of the year (albeit I only went to a handful of shows in 2010), excels at creating this style of music. To Travelers & Trunks is a solid debut with near perfect instrumentation, from keys and horns to strings and percussion.

Download: “Rio” by Hey Marseilles!

* * * * *

4. Maintenant by Gigi

Gigi, the project of Nick Krgovich (No Kids, P:Ano) and producer Colin Stewart, hints of a different era — the pop music of the 1950s and 60s and of early Phil Spector. Maintenant finds the two debuting under the moniker and sound with help from such notables as Rose Melberg, Owen Pallett, Mirah, Joey Cook (Pomegranates) and Karl Blau.

Download: “Strolling Past The Old Graveyard” by Gigi

* * * * *

3. We Built A Fire by Seabear

After Sindri Mar Sigfusson’s solo project Sin Fan (formerly Sin Fang Bous) released Clangour last year, I didn’t think We Built A Fire would come close to topping it. It took a while, but the album has become a mainstay thanks to highly orchestral pop movements paired with Sindri’s unique vocals.

Download: “Lion Face Boy” by Seabear

* * * * *

2. Teen Dream by Beach House

2010 found a few surprise albums reaching epic heights after either being dormant for a while, or being flat-out absent from my top albums as far as the past was concerned. Beach House was one of these bands, and Teen Dream proved all preconceived thoughts of this band wrong. Their first album I found a hint boring, and the second — well, I just didn’t take the time to get to know it. But from the moments I heard songs like “Zebra” and “Norway”, I knew this album would be in the top 3.

Download: “Norway” by Beach House

* * * * *

1. Avi Buffalo by Avi Buffalo

Upon first hearing “What’s In It For”, I had no thoughts of Avi Buffalo reaching this cherished Best Of spot. But it grew on me. A lot. And as I replayed it over and over on my walks to work and on my drives around town, I fell in love with the technical genius of this band. They can play, and they do it with immense skill and great emotion.

Download: “Remember Last Time” by Avi Buffalo

Creating a music video, in my opinion, should be about creating art. There are so many intricate elements that should go into a video that are so often left forgotten or, at least, unattended. First and foremost is the song itself — a video must compliment the art to which it is expanding from audio to video. Connecting the two is extremely important. Second is theme. The best videos have some storyline, vague or distinct. Or at least something visually interesting.

What started below as a few of my favorites from the past year ultimately turned into a much bigger list of simply great videos both current and dated. Most are visually stunning, as noted in the title of this post. However, a few are impressive instead through the conceptual elements of plot and story (the first one is testament to that). That being said, if you know of some masterful videos from the past few years, feel free to drop a link into a comment — and don’t forget to let us know why you feel it is a “must see” video.

* * * * *

The Apples In Stereo

The song is great, but what really makes this a good music video is the storyline before and after the song. Featuring Elijah Wood as a teacher, he is whisked away into an alternate universe where Robert Schneider is not a scientist but a musician. This music video is quite nontraditional — it comes with a completely separate introductory video.

“Dance Floor” Part One

“Dance Floor” Part Two

* * * * *

The Black Keys

The story this video tells is quite entertaining and more than worthy of several repeat viewings. “Tighten Up” comes from their eighth release (counting both EPs), Brothers, and is the highlight track. Featuring Auerbach and Carney at the local park with two boys, both pairs spot the girl of their dreams and friendship loyalties stray in the most hilarious of manners. See for yourself:

“Tighten Up”

* * * * *

Casiokids

I really, really dig “Finn Bikkjen” by Casiokids. It’s a wonder I haven’t really spent time to seek out more by the band. What I did stumble upon, however, is their video for this song. 2010 appears to be the year everyone dresses up in animal outfits. (Chris Ewing, who’s featured soon below, also did a video featuring them for the band Seasons.) Here they’re playful, and they are creatures we have never seen. Very unique and fun.

“Finn Bikkjen”

* * * * *

Club 8

This video is a bit odd in that Johan Angergård tends to favor his other project, The Legends, for videos that feature dancing. He did it both in “Lucky Star” and “Seconds Away”, the latter of which you’ll see a bit lower. Yet “Western Hospitality” does just that.

“Western Hospitality”

Club 8 “Western hospitality” from Labrador Records on Vimeo.

* * * * *

El Perro Del Mar

First off, this video is flat-out strange. But it fits the music and it’s definitely unique. Makes me think of Rocky Horror Picture Show, though. And despite my predilection toward women and their scantily-clad-ness, it’s both an impressive physical feat and quite entertaining.

“Change Of Heart”

* * * * *

Fredrik

Fredrik’s music has always blended the ethereal with pop and folk, creating a surreal universe and their videos for “Viskra”, “Milo” and “11 Years” give us a glimpse into these so-called places. “Milo” is colorful and blurry, while “Viskra” (primarily in black-and-white) shows a snowy world with human like creatures. “11 Years” uses stop-motion photography to create a trippy world within a train car. All three work well with Fredrik’s dreamy folk-pop.

“11 Years”

Fredrik – ’11 Years’ from Iris Piers on Vimeo.

“Milo”

Fredrik – Milo from The Kora Records on Vimeo.

“Viskra”

Fredrik – Viskra from The Kora Records on Vimeo.

* * * * *

Tobias Froberg (NSFW)

Tobias Froberg’s “When We Go To War” is a play on good versus evil, documented theatrically via two professional dancers. And the video fits perfectly with Froberg’s masterpiece. The two individuals within appear normal enough, but when both enter onto the roof of a building, they turn into creatures ready for battle. There’s a hint of nudity in this one, so it may not be safe for work.

“When We Go To War”

Tobias Froberg – When We Go to War from Petter Ringbom on Vimeo.

* * * * *

[ingenting]

This song is so touching to begin with, it’s hard not to get emotional when watching this video. [ingenting] of Sweden is a rarity in that they sing in their native tongue — most Swedish bands we hear on this side of the ocean have adopted English as a standard for performing. Still, the emotion comes through easily in this tale about love and loss.

“Dina händer är fulla av blommor”

[ingenting] “Dina händer är fulla av blommor” from Labrador Records on Vimeo.

* * * * *

Jonsi

Jonsi of Sigur Ros is now creating music under the moniker Jonsi, and it’s pretty sweet. Honestly, I don’t much care for the vast majority of videos that just show a band performing their song, but Jonsi’s video for “Animal Arithmetic” is done at odd angles, which means it’s not your standard performance video. That makes it a rarity: totally worthwhile.

“Animal Arithmetic”

* * * * *

The Knife

Easily one of the creepiest music videos around is The Knife’s “Silent Shout”. Once the flashing lights fade, we begin to see odd, misshapen humans and hear The Knife’s equally mind-bending vocals. The result is nightmarish.

“Silent Shout”

* * * * *

The Legends

With each new album, Johan Angergård takes The Legends in an exciting new direction. Here you can hear and see three distinct sounds from three separate albums Still, I have a hard time discounting their first one — it has been a mainstay in my regular playlist since discovering shortly after its release (“There And Back Again” is from that release). Both “Lucky Star” and “Always The Same” find The Legends featuring a quirky, awkward dancer and it couldn’t be more fitting thanks to the dancey electro-pop of the former and the lovable pop vocals and crazy distorted pop guitars of the latter.

“Always The Same”

“Lucky Star”

“There And Back Again”

* * * * *

Letting Up Despite Great Faults

Letting Up Despite Great Faults is the band I referred to before, the one with a video by Chris Ewing. Like his work for Seasons, this one features a beautiful girl. Unlike that one, in which she’s plagued by animals, this one is a love story. And true to Ewing’s creations, there’s plenty of mixed media and surreal surrounds.

“Our Younger Noise”

LETTING UP DESPITE GREAT FAULTS: Our Younger Noise from Christopher j Ewing on Vimeo.

* * * * *

Radiohead

It’s hard to write about great music videos without at least mentioning “Rabbit In Your Headlights” by Radiohead. Technically, it’s a split between Thom Yorke and UNKLE. Aesthetically, thematically, and visually, this is one of my favorite music videos of all time… right up through the explosive ending.

“Rabbit In Your Headlights”

* * * * *

Seabear

As you’ll soon learn, Iceland’s Sindri Már Sigfússon like multimedia videos. Off Seabear’s latest release, We Built A Fire, of which I’ve been listening to a lot lately, “I’ll Build You A Fire” does just that. The good news is that Sigfússon does multimedia videos very well.

“I’ll Build You A Fire”

Seabear – I’ll Build You A Fire from seabear on Vimeo.

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Edward Sharpe And The Magnetic Zeroes

The concept behind this video is “Desert Song” itself, and in fact it is the first of many from Sharpe-and-entourage. Actually, they’re making an entire movie based on their hit album Up From Below.

“Desert Song”

Edward Sharpe and the Magnetic Zeros “Desert Song” from benjamin kutsko on Vimeo.

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Sin Fang Bous

Sin Fang Bous created an epic masterpiece in 2009. The solo project of Seabear’s Sindri Már Sigfússon. This video was directed by Ingibjörg Birgisdóttir of, I’m assuming, Iceland (that’s where Sin Fang Bous and Seabear are from). Mixing media is a difficult thing to do, but Birgisdóttir does it quite successfully here. Odd and filled with a unique style of electro-pop, Sin Fang Bous has a worthy and comfortable home on Morr Music.

“Clangour And Flutes”

Sin Fang Bous: clangour and flutes from morr music on Vimeo.

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Small Black

Small Black created a bit of a masterpiece with their video for “Despicable Dogs” and they do it again with “Bad Lover”. It’s been a while since a video has seriously creeped me out; probably since “Silent Shout” by The Knife. “Bad Lover” does a good job thanks to people with odd masks on.

“Bad Lover”

Small Black: Bad Lover from Nick Bentgen on Vimeo.

“Despicable Dogs”

Small Black: Despicable Dogs from Yoonha Park on Vimeo.

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Tame Impala

Reality and sanity are both focal points in Tame Impala’s video for “Solitude Is Bliss”. Whether or not there’s a deeper meaning behind the images displayed is up for debate; I’d argue for. It fits with the title — the “solitude” our protagonist sees. He is thwarted by the masses but seems aloof in his own world of destruction. Tame Impala is one of this year’s promising finds, for sure.

“Solitude Is Bliss”

tame impala – solitude is bliss from EL NINO on Vimeo.

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Thieves Like Us

I love videos like the one for “Shyness” by Thieves Like Us. It shows the fleeting awkwardness of teenage love — the lust, the love, the heartbreak and the all too quickly forgotten memories. You almost feel naughty and guilty watching it.

“Shyness”

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Chad VanGaalen (NSFW)

What makes “Molten Light” so special is that VanGaalen did the video himself. His art, just like his music, is highly original. This video too is disturbing, and probably not safe for work.

“Molten Light” (NSFW)

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Warpaint

There is no other way to put it: What Adam Harding does in creating Warpaint’s video for “Stars” is absolutely stunning. Visually, it’s quite impressive; he perfectly captures the dreamy nature of their subtle shoegaze soundscapes, and the nuances of Warpaint’s playful darkness. Furthermore, he creates momentum that moves with the song — particularly in its final moments — a momentum that increases to a powerful climax as the song fades away.

“Stars”

Warpaint – Stars from Adam Harding on Vimeo.

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Vitalic

All this video contains is flying dogs and laser beams. Brilliant! And that’s all I need to say about Vitalic’s “Birds”.

“Birds”

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Washed Out

It’s amazing to think that Washed Out’s Ernest Greene planned to settle down after making his epic EP, 2009′s Life Of Leisure. After years of creating music under various bands and monikers, Greene was suddenly thrust into the spotlight with this project. And we finally get a music video to accompany the music.

“Hold Out”

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Wolf Parade

They really should make more science fiction movies like this; “Yulia” by Wolf Parade is filled with interesting footage and great cinematography.

“Yulia”

Wolf Parade – Yulia from Sub Pop Records on Vimeo.

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Yeasayer (NSFW)

This video is definitely not safe for work. That being said, it’s also quite interesting — it follows the path Yeasayer took with their sophomore album, one that heightens to a whole new level the experimental glam they started with their debut.

“Ambling Alp”

Yeasayer “Ambling Alp” from Team G on Vimeo.

I am at a loss for words. The People’s Record, the latest by Swedish pop group Club 8, defies explanation. The band has always fit the pop mold, often flirting between dreamy electro-pop and indie pop sensibilities, but this new stuff has islands-ish percussion, playful guitars, and obscure keys. It’s as if their traditional Swedish pop took a tropical vacation. We heard it on the album’s first single “Western Hospitality” and it’s written all over their latest single, “Closer Now”. These new sounds are upbeat, fun and completely refreshing. There truly is nothing like it out there in the world of indie pop.

The People’s Record is out now on Labrador Records

Download: “Closer Now” by Club 8

OK, I love this. True to recent videos by The Legends, a band fronted by Johan Angergård who also appears in Club 8, the video for “Western Hospitality” features dancing in a manner you wouldn’t typically expect. First, the mystic and masterful electro tune “Lucky Star” off Public Radio, then again briefly on “Always The Same” off the recent Over And Over. “Western Hospitality” is the latest hit by Club 8 and once again Angergård and counterpart Karolina Komstedt incorporate dancing into a video, this time by a young girl who plays the often ignored office outcast. I’ve already raved about this song; paired with this video, it’s stands true as one of Club 8′s best tunes yet!

“Western Hospitality” is off The People’s Record, out now on Labrador Records.

Download: “Western Hospitality” by Club 8

Club 8 “Western hospitality” from Labrador Records on Vimeo.

Tonight I hit the kitchen to compile the second FensePost podcast, or FenseCast, while cooking up one of my signature dishes: spicy steak enchiladas with homemade sauce. For desert, a delicious slice of gluten free cake courtesy Andi (the girlfriend), whose cake photo you can see in this post. Unlike the first podcast, this one had a range of bands that stemmed into several genres rather than focusing on garage rock and pop. Within I reminisce on one of my favorite bands of all time, occasionally hover around bedroom pop, and pass along one imperative ingredient in my homemade enchilada sauce.

Download: FenseCast Volume #1 Issue #2: Cooking With Fense

Here’s the track list:

1. “All For Me” by Furcast from Together EP
2. “Western Hospitality” by Club 8 from The People’s Record
3. “Elinor With The Golden Hair” by Grand Hallway from Promenade
4. “All Apologies And Smiles, Yours Truly, Ugly Valentine” by Carissa’s Wierd from You Should Be At Home Here
5. “Falls City” by Venice Is Sinking from Sand & Lines
6. “Modern Drift” by Efterklang from Magic Chairs
7. “Vendela Vida” by Dinosaur Feathers from Fantasy Memorial
8. “Disappear” by Crayon Fields from All The Pleasures Of The World
9. “Night Train” by Brown Recluse from The Soft Skin
10. “The Winter Stories” by World Atlas from Bonaventure EP
11. “Paper Crane” by Fireflies from Autumn Almanac
12. “That’s A… Jellyfish!” by Fishboy from Little D
13. “Giver’s Reply” by Ramona Córdova from The Boy Who Floated Freely
14. “23 Oktober” by Musette from Datum
15. “Afraid Of Hands” by Suturee from Suturee
16. “Third Of Life” by A Weather from Everyday Balloons
17. “One Hundred” by Cock And Swan from Unrecognize

The Sweet Serenades are, well, just that; a sweet compilation of all things happy or sad, in mourning or bliss. This Swedish duo look as though they could be pounding lagers amongst muscly, flanneled woodsmen, but damned if they wouldn’t hesitate to break into a beautiful ballad at any moment. “Die Young”, from their amazing album Balcony Cigarettes, is a beautiful track serenading (pun, intended) one of the greatest yet most heartbreaking mistakes human beings can make: the one night stand. With guest vocals from Club 8’s Karolina Komstedt, this tremendous little ditty, recently featured on the for some reason still hit show Grey’s Anatomy, is sure to steal your heart. Or, as these guys portray it, wish it were worn as a giant suit for all to see.

A music video set to the tone of an independent film channel style cannot go wrong. Komstedt’s portrayal as the guilt free heart-breaker will probably steal the show for most. But, nothing can compare to a man dancing in a giant heart costume spewing out your every desire in the most comical of fashions. The Sweet Serenades have always been quite the quirky and eccentric duo, but this puts them way over the top!

Download: “Die Young” by The Sweet Serenades

It’s long been my opinion that anything Johan Angergård touches magically turns to gold. This belief has stood strong with all his projects, from The Legends to Acid House Kings. Club 8 has consistently come third on that list, but with “Western Hospitality” from the forthcoming The People’s Record, everything is about to change. It’s not that The Boy Who Wouldn’t Stop Dreaming didn’t have merit — it most certainly did. It just wasn’t as powerful as more recent albums by the other two, Over And Over (The Legends, 2009) and Sing Along With… (Acid House Kings, 2006).

“Western Hospitality” is easily my favorite Club 8 song to date. Karolina Komstedt’s airy, smooth vocals have a wisp of cool to them, while Angergård’s jangly guitar shuffle is borderline latin. Add a 60s keyboard sound and back it by erratic African drums and one begins to get the picture as to why I call “Western Hospitality” the band’s best song yet. It’s cool, it moves, it’s undeniably catchy. I may need to rethink my Acid House Kings, The Legends and Club 8 hierarchy. Hear for yourself…

The People’s Record is due out in May on Labrador Records.

Club 8: Western Hospitality [mp3]

The third installment of A Retrospective, this time the focus is on 2002. The year of rebuilding, so to speak. It was the year I discovered Cider Jack (and did so plentifully) at the local Pullman bar Rico’s, and we all would rehearse Bill Brasky skits (from the SNL spots, and made up on the spot) as twenty feet away the university jazz combo performed excellent renditions of Van Morrison’s “Moondance” and various Motown favorites. As we see every year, 2002 saw several real great releases. Here are my favorites.

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15. Tallahassee by The Mountain Goats
Tallahassee is a concept album of sorts, devoted to the fictional married couple always leaning toward divorce. The recurring characters receive tribute throughout the album, which sees The Mountain Goats‘ front-man John Darnielle further defining his pointed vocals and powerful acoustic folk melodies.

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14. Spring Came, Rain Fell by Club 8
A diversion from their prior self-titled record which found the band dropping in more electronics and bordering on dance tracks, Spring Came, Rain Fell split the band’s loyalties between that sound and one much more along the lines of the indie-pop created by Acid House Kings, another of Johan Angergård’s groups. Club 8 does a good job bridging the two sounds in this viable follow-up. The album went out of print but was reissued last year on Labrador Records.

Club 8: Spring Came, Rain Fell [mp3]

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13. Read Music/Speak Spanish by Desaparecidos
After several mopey records from Conor Oberst under the name Bright Eyes, it was good to hear him take on something more societal and political under Desaparecidos. Songs like the “Man & Wife” pair and “Mall Of America” fit well with the times. And backing the highly emotive social commentary which made up much of the subject matter of Read Music/Speak Spanish was loud distorted guitars that seemed more fit for Cursive than Bright Eyes. To this day, Read Music/Speak Spanish is, in my opinion, one of Oberst’s greatest works.

Desaparecidos: The Happiest Place On Earth [mp3]

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12. The Execution Of All Things by Rilo Kiley
Like many, when I hear reference to Rilo Kiley‘s The Execution Of All Things, I immediately think of that one track – the stunning “With Arms Outstretched”. It found a welcome home on the first episode of Weeds: Season 1. On the album, Jenny Lewis strays between storytelling and folk-worthy narratives backed by pleasant folk-pop melodies that wouldn’t seem too out-of-place were they to be released this year. And that’s something that won’t likely change for years to come.

Rilo Kiley: With Arms Outstretched [mp3]

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11. Don’t Fall In Love With Everyone You See by Okkervil River
Okkervil River always seemed a bit odd. At times barely in tune vocals were borderline awkward yet it has worked so well throughout the band’s library of work. With the power of folk-pop sensibilities behind them, and the powerful ability to write stellar lyrics, Okkervil River created an album with easy showstoppers like “Kansas City” and “Red”. And while the first two songs on Don’t Fall In Love With Everyone You See are the best, most recognized songs on the album, with repeat listens others effortlessly follow suit.

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10. Songs About Leaving by Carissa’s Wierd
Songs About Leaving didn’t quite live up to its two predecessors as a whole. Instead, select tracks like “September Come Take This Heart Away” and “Sofisticated Fuck Princess Please Leave Me Alone” did with ease while other fell slightly flat. Here, Carissa’s Wierd shined brightest when they added the full instrumentation (in other words, ripe with strings) that made You Should Be At Home Here great.

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9. Highly Refined Pirates by Minus The Bear
Highly Refined Pirates was a great album circa 2002 and 2003, and even beyond that. But even so, it paled in comparison to seeing Minus The Bear perform these songs live during the same time period. The band had yet to grow into their current fan-base and that being as it was, they created a masterpiece ahead of its time.

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8. Mondays Are Like Tuesdays and Tuesdays Are Like Wednesdays by Acid House Kings
I didn’t discover Acid House Kings until the release of their 2005 pop epic Sing Along With The Acid House Kings, but in the brief four years since finding them they’ve become one of my most listened-to bands. Mondays Are Like Tuesdays was an album filled with soft Swedish pop songs like “Sunday Morning” and “Brown And Beige Are My Favorite Colors”. And who could forget “Say Yes If You Love Me”? The band is currently working on their follow up to Sing Along With, claiming they’re working toward creating the perfect pop album. However, in their prior records, they’ve already accomplished that feat several times over, one of them being Mondays Are Like Tuesdays And Tuesdays Are Like Wednesdays.

Acid House Kings: Say Yes If You Love Me [mp3]

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7. Yankee Hotel Foxtrot by Wilco
Wilco, for me, is a band that makes an immense impression and then disappears for one, sometimes two years at a time. Returning to the Wilco of old, I’m struck by the senselessness of that statement, especially as it pertains to Yankee Hotel Foxtrot. This is an album that should have continuous mainstay capabilities; one that should never really leave. I guess that’s why it’s #7 and not higher. Still, when it does return, it wows at full force.

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6. The Beginning Stages Of… by The Polyphonic Spree
One of my all-time favorite movies is Eternal Sunshine Of The Spotless Mind. It is beautiful in every way possible, from Joel and Clementine’s odd little quirks to unique use of minimal special effects (watch the commentary). It was with great excitement that I heard The Polyphonic Spree while watching this movie in the theater. Not often do you find a band that could very well be a cult, full with flowing colorful robes and an effervescent leader. Other bands have come close, but in numbers only (I’m From Barcelona, Dark Meat…). These songs all have a joyousness to them, a sunny demeanor. Haha, right? …many are about sun, love, happiness, and light.

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5. Yoshimi Battles The Pink Robots by The Flaming Lips
The Flaming Lips are a band capable of releasing one great album after another, and Yoshimi Battles The Pink Robots is just that. “Fight Test” and “Do You Realize??” had the ability to be album toppers, but that pinnacle spot was reserved for “Yoshimi Battles Pink Robots Pt. 1″. Two words to describe the power of this album? Very strong.

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4. Neon Golden by The Notwist
Meshing electro-pop and a shoegaze-style hypnotism is nothing new; in Neon Golden, however, The Notwist gave it a refreshing makeover. Dark and mysterious, Neon Golden is an album that packs an emotional punch from the opening moments of “One Step Inside Doesn’t Mean You Understand” and on throughout. Even in the more upbeat of moments, The Notwist maintain a mesmerizing and entrancing style. Yet unlike a large chunk of music that fits the description, Neon Golden is also catchy and fully contagious.

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3. You Forgot It In People by Broken Social Scene
Oh man, listening again to “KC Accidental”, it becomes immediately clear why this band is so great. One moment they rock your nuts off with legendary noise and the next it drops into beautiful and romantic lyrical poetry. The songs on You Forgot It In People are at times hardly cohesive, yet there’s an undeniable power behind the tracklist. “Anthems For A Seventeen Year-Old Girl” may remain the showstopper with its peaceful infectious melody, but each song Broken Social Scene writes holds weight.

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2. Kill The Moonlight by Spoon
Kill The Moonlight by Spoon was a bit of a sleeper for me. It wasn’t until shortly after Gimme Fiction that it came to be my favorite album by the famed Austin band. Then again, several artists have fit the description, like Stars. Upon release they don’t necessarily hold the weight you expected, or just didn’t catch on right away. But a year, maybe two down the road, and suddenly … BAM … they strike. And the result is phenomenal.

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1. Castaways & Cutouts by The Decemberists
Before all the theatrics and flare came to dominate and embellish The Decemberists music (which has ultimately allowed them to create and produce a unique and wonderful show), there was just a highly educated, smart folk album called Castaways & Cutouts. Sure, hints of the future dramatic stage presence existed in tracks like “California One / Youth And Beauty Brigade” and “A Cautionary Tale”, and even “The Legionnaire’s Lament” but it was also wholesome and, to an extent, the educated innocent. Their follow-up albums saw the band expanding into (more) bizarre tales of ghosts and lyrics seemingly pulled from book-like plots and expanding the instrumentation and group size in general, all of which has been great. But Castaways & Cutouts was not only an introduction, but an introduction to a band on the rise to fame and glory.

The Decemberists: Here I Dreamt I Was An Architect [mp3]

The second installment of A Retrospective, in which I recap my favorite albums released from 2000 to 2008, this time: 2001. Wrought with turmoil and watching a life fall apart as so many others were having similar experiences but in a different manner; that was 2001 for you. The year I turned 21 (hence the wine bottle photo above). A year that lives in infamy. Young or old, we all seemed to grow up that year. Music, too seemed to progress in ways unthought, even before that fateful day.

Again, the ideal is for this to be a friendly open dialog. Please feel free to chime in with some of your favorites from 2001 as well. Here’s my top 15 albums from that year:

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15. Stephen Malkmus by Stephen Malkmus
Stephen Malkmus has long been an influential character in music, a total nod to his Pavement days. This album, his self-titled debut, finally found Malkmus striking out on his own, and he did so with flare and agility. Stephen Malkmus was a perfect introduction to a man on his own without the confines of prior monikers. And yeah, in some ways it may have picked up where our beloved Pavement left off (quite quickly, in fact, as work on this project began almost immediately after the disbandment of Pavement). But whatever; it’s still a brilliant LP.

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14. Those Who Tell The Truth Shall Die, Those Who Tell The Truth Shall Live Forever by Explosions In The Sky
I love the first explosion in “Greet Death”, the opening track to this Explosions In The Sky album; it has the ability to rock the nuts off anyone listening to it. What makes EITS such a great band is that they’re capable of creating such immense sound one moment, and in the next dropping it down to the most minimal. True to the genre, the album appears brief with a track-list numbering six, but it is anything but as no song is fewer than six minutes with most topping seven and a pair over ten. Despite their length EITS manages to maintain attention throughout; and that alone is a worthy feat.

Explosions In The Sky: Yasmin The Light [mp3]

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13. Ancient Melodies Of The Future by Built To Spill
I can remember the first time I heard “In Your Mind”, the third track off Built To Spill‘s Ancient Melodies Of The Future. I cannot remember where, or when this took place; but I can remember the emotions that rocked my mere existence. Many of the songs weren’t nearly as ‘rockin’ as found on some of the older albums, but it allowed Built To Spill to show off a different side, one a bit more delicate and personal.

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12. The Coast Is Never Clear by Beulah
Part of the Elephant 6 collective (the band, not the release), Beulah released The Coast Is Never Clear on September 11 of this year. What a day to release an album; but it was ultimately the antithesis to that cataclysmic day. Songs like “A Good Man Is Easy To Kill” and “Popular Mechanics For Lovers” just seemed so perfect. They had just the right amount of sadness, but were backed by such effortless upbeat psychedelic pop true to the E6 name.

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11. Live At Jittery Joe’s by Jeff Mangum
For anyone lamenting the demise of Neutral Milk Hotel, ex-front-man Jeff Mangum’s Live At Jittery Joe’s was a brief relapse into the obsession. Out of twelve songs, the album features ten from prior studio albums and two others: a cover of Phil Spector’s “I Love How You Love Me” and “I Will Bury You In Time”, a rare NMH track only found previously on bootlegs. Sure, it’s a completest’s album, but that’s what I am.

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10. Owls by Owls
Not to be confused with Minneapolis’s The Owls, Owls were a short-lived art-rock group from Chicago. The band channeled elements of free jazz and post-punk in their lone self-titled album. Birthed out of two groups fronted by Tim Kinsella, 90s group Cap’n Jazz and Joan Of Arc, Owls brief imprint with Owls crops up with artists that mix a similar math-y free jazz and post-punk sounds today.

Owls: Everyone Is My Friend [mp3]

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9. Your Majesty by The Anniversary
The Anniversary‘s follow-up to Designing A Nervous Breakdown, Your Majesty didn’t quite capture its predecessor’s pop strength but was a more than worthy album. It didn’t rock as much and instead delved a little more into sunny yet trippy psychedelic pop. Songs like “The Death Of The King” and “The Siren Sings” were, in effect, mesmerizing. With those massive distorted chords and warbled synth lines, fronted again by harmony male/female vocals – the songs just fit with the time. And yet in revisiting them, they’re just as great as the day I first heard them.

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8. The Photo Album by Death Cab For Cutie
Another treasure from the Death Cab For Cutie vault, and another timeless record from Barsuk. From the subtle opening “Steadier Footing” to the tear-jerker “Styrofoam Plates”, The Photo Album was an album that worked it in every way possible. And if you were lucky enough to snag this baby on vinyl (as I was), it made the experience of listening to this record all the more perfect.

Death Cab For Cutie: A Movie Script Ending [mp3]

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7. The Glow Pt. 2 by Microphones
How to describe and album that set forth a generation, backed by a man that had lived the definition for some time, and a sound that even today seems both timeless and ahead of the times. That’s The Glow Pt. 2 by Microphones for you; again finding Elverum expanding worlds by giving us a glimpse at his. Truly a stand-out, 2001 or otherwise.

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6. Rock It To The Moon by Electrelane
Rock It To The Moon was Electrelane‘s first LP and it technically debuted in 2001 (UK), though it wasn’t released stateside until 2002. It took what so many of us wanted from post-rock groups like EITS and experimented a bit more with sound and melody rather than just loud and soft. Prime example is the second track, “Long Dark”, which opened with a two minute avant-garde piece before dropping in the Pink Panther bass-line and expanding into a swirling synths and punchy percussion, all of which gave the track an experimental cohesion. They had yet to fully integrate vocals, which made their follow-up albums all the better, but Rock It To The Moon was still a more than viable debut.

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5. Biggest Bluest Hi-Fi by Camera Obscura
After banding together in 1996, Camera Obscura didn’t release their debut full-length until November of 2001; that being Biggest Bluest Hi-Fi. Soft and lovable indie pop with light hints of orchestration, the album remains a collection of some of their greatest songs, even today after three additional releases. “Happy New Year” and “Eighties Fan” are mainstays in my playlist and that’s not likely to change anytime soon. Originally released in 2001 on Andmoresound Records and in 2002 on Elefant Records, Biggest Bluest Hi-Fi was reissued by Merge in 2004.

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4. Club 8 by Club 8
To this day, “Love In December”, the opening track of Club 8‘s self-titled LP, remains my favorite song by the Swedish duo. Johan Angergård pops up in virtually every year’s list and it’s easy to see why: his work extends from Club 8 to include the indie-pop collective that is Acid House Kings, as well as the always refreshing group The Legends. In Club 8, Angergård is joined by Karolina Komstedt. Much softer than their earlier stuff, Club 8 is an album that is entirely dreamy in its relaxed nature with Komstedt at the vocal helm. A rarity, Angergård joined Komstedt for backup vocals on the near trip-hop track “Falling From Grace”.

Club 8: Love In December [mp3]

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3. Oh, Inverted World by The Shins
Oh, Inverted World remains The Shins strongest work thus far, though Chutes Too Narrow came pretty damn close. While most will give “New Slang” or “Caring Is Creepy” the nod for best song on the album, I choose “Girl On The Wing”. Elitists might discount this album for its association with the wildly popular Garden State soundtrack, but as a whole the album is a striking collection of great tunes The Shins have yet to truly match in overall strength.

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2. Quiet Is The New Loud by Kings Of Convenience
Kings Of Convenience has, in my opinion, always been considered the epitome of folk-pop. With romantically-tinged guitars and non-stop harmony vocals, Quiet Is The New Loud found Kings Of Convenience creating one hit after another. Perfection comes in many forms, and when it comes to albums, Quiet Is The New Loud can be considered truly perfect.

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1. You Should Be At Home Here by Carissa’s Wierd
I have long been obsessed with Carissa’s Wierd, of which many members have gone on to form successful follow-up groups like Band Of Horses, Sera Cahoone, S, and Grand Archives. You Should Be At Home Here, while not my introduction to the band (that came with Ugly But Honest), has been the favorite thanks to beautifully orchestrated slowcore tracks like “Brooke Daniels’ Tiny Broken Fingers” and “All Apologies & Smiles, Yours Truly, Ugly Valentine”. In fact, at the release of Grand Archives’ self-titled debut last year, Mat Brooke took the stage with S’s Jenn Ghetto (his female counterpart in Carissa’s Wierd) for a duet of “All Apologies” that brought tears to my eyes the moment they started playing it. Having never seen Carissa’s Wierd before their demise, it was a dream come true.

Longtime fans of Sweden’s pop music scene will recognize the Club 8 name as belonging to one of Labrador Record‘s most appreciated artists. The duo of Johan Angergård and Karolina Komstedt have been making music under the moniker since the mid 90s, and have released six full-length LPs. What sets this new album apart, however, is that Angergård will not produce it — and that’s a first for the band. Instead, Jari Haapalainen (Peter Bjorn & John, Camera Obscura, The Concretes) will be the producer.

This news comes as Club 8 is wrapping up the album’s demo sessions. Though they won’t enter the studio until December, the label is noting it’ll all be ready by Spring of 2010.

This will be their follow-up to 2007′s The Boy Who Wouldn’t Stop Dreaming. You can check out a few tracks from their library, including one from their 2007 release, below. The other is one of my all-time favorites from the band, “Love In December” off their 2001 self-titled release.

Club 8: Whatever You Want [mp3]

Club 8: Love In December [mp3]

I’m always wary of songs that have the word “Jesus” in the title. Growing up, my family attended church only a handful of times and the reasoning behind it was that we didn’t like to be preached to. It’s not that we didn’t believe anything – a common misconception of the non-believer or agnostic. It’s just that we have our own idea of what higher power means, whatever that may be.

“Jesus, Walk With Me” was the first song I heard off last year’s The Boy Who Couldn’t Stop Dreaming by Club 8 (MySpace). I was happy to hear it then – the tune was slightly reminiscent of my favorite by the Swedish duo, “Love In December”, off their self-titled full-length. The first half of the Jesus, Walk With Me single follows suit. That half includes the equally acoustic “What I’m Dreaming Of Is Something I Could Have” and the dreamier, dronier “Take Me Home”.

The final two tracks are remixes of the title track, per the usual from Labrador Singles. Also not surprising is one by Jimahl; the other is by recent FensePost feature band The Sound Of Arrows. The latter comes first, and is poppy enough to be an original Club 8 tune with exception to a bit more electro elements than the group typically includes in their tracks. The latter, like other Jimahl remixes, features little of the original instrumentation fronted by a tweaked version of the vocals.

It’s hard to express how much Labrador Records has influenced my listening habits since the turn of the century. I have no question about their status as my number 1 label, and Jesus, Walk With Me, along with the rest of their recent releases, simply proves its prestigious position.

Club 8: Jesus, Walk With Me [mp3]

Club 8: Jesus, Walk With Me (Jimahl Remix) [mp3]

Labrador Records [CD Single, 2008]

1. Jesus, Walk With Me
2. What I’m Dreaming Of Is Something I Could Have
3. Take Me Home
4. Jesus, Walk With Me [The Sound Of Arrows Remix]
5. Jesus, Walk With Me [Jimahl Remix]