There’s something special brewing in Brooklyn and it largely surrounds one Joe Pruitt, whose band Family Trees gave us the single Dream Talkin’ a short while ago. Well, Joe just dropped me a note about his other band, Son Of Rams, and once again I’m smitten. Son Of Rams veers in a slightly different direction, namely Pruitt and company give it a psychedelic edge, although it is undoubtedly upbeat pop. “Triple Eyed” is a new song filled with vocal hooks and catchy fuzz-filled riffs and a wild, …

Family Trees is a Brooklyn-based trio made up of Ryan Trott (guitar and vocals), Amanda Finn (drums), and Joe Pruitt (bass) and they create Woodsist-like light, beachy acoustic pop music with barely discernible hints of garage and lo-fi electronics. Catchy and hypnotic, “Dream Talkin’” is the perfect summer tune, fit to stretch out on the porch on a hot, clear, starry night. Those nights when the nightlife croaks softly in the background, or laps gently on the coast in the distance. It’s a song you listen to …

Few bands can call the small state of Rhode Island home. In fact, I’d be surprised if, over the four years FensePost has been in existence, we’ve covered more than a small handful of artists from the state. Fang Island, then, could very well be the first. Of course, the band originated there, but have since relocated to a place a bit more familiar — Brooklyn. The music they create is indicative of the burb, or what some West Coaster like myself envisions of the place. …

Picking up their Home(here) EP, one gets the impression that Big Tree is somewhat of an organic band. The smooth screen-printed cardboard cover is minimal but effective, and the music contained within follows suit. Placed somewhere between folk and jazz and blues, Big Tree is a mesh of many genres. “The Concurrence Of All Things” is the EP’s opening track and it hits the band’s highlight traits.

I recently posted a list of ten bands that I should have checked out last year and there was an overall theme to the ten: several were from the Woodsist label. Beach Fossils has the sound of that label, and it’s no surprise; the band released a 7″ via Woodsist late last year. Their sound is packed with the fuzzy folk-pop jangle of bands like Woods and Real Estate and Fresh & Onlys. “Youth” is the band’s next single and it’s off their forthcoming self-titled release on …

I found this Small Black video in the trove of videos on the Jagjaguar, Secretly Canadian, Dead Oceans collective Vimeo page. Small Black creates fuzzy lo-fi electronic pop in the vein of romance and various other pleasantries, and “Despicable Dogs” fits the description well. I love the dreamy nature the song takes throughout its four minute melody and cacophony. There’s beauty in dissonant harmony, and Small Black knows how to exploit this fact. The video appears to be a tribute to aging surfers stuck in the …

Clash art punk with the resurgence of a somewhat Grrrl Rock sound and you’ll begin to get the picture Golden Triangle paints. Double Jointer is the band’s debut full length, following a self-titled EP from last year. Golden Triangle’s sound is based around noise. Everything is loud, in your face, and over the top. Exotic and slightly erotic, “Blood And Arrow” and “Eyes To See” bring forth a bit of crazy. That crazy is a common theme throughout Double Jointer, and it’s just as present (if …

World Atlas is slated to give us their self-titled EP early next month on Magic Marker Records. The band is joined by Fred Thomas (Saturday Looks Good To Me) on guitar and The Umbrella Girls on hand-claps, tambourines and back-up vocals. Fronted ultimately by Brian Groux on vocals and guitar, World Atlas is what you’d expect from a band on Magic Marker — they dig The Smiths and Velvet Underground, and list as influences the various indie-pop and twee sub-cultures.

Brenda Malvini has this classic, smokey side that make her vocals mystic and mysterious; not entirely unlike those of Jeremy Faulkner, whose similarly unique styling made Ah Holly Fam’ly one of last year’s best releases. North Highlands hail from Brooklyn, rather than a progressive rural Idaho town bordering Washington. Yet listening to songs off their debut EP, Sugar Lips, one gets the impression that their sound wouldn’t be out of place amidst wheat fields and century-old farmhouses.

If Kate Bush and Robert Smith had 5 children together with the intention of creating one of the most uniquely talented batch of kids for the new millennium, Anthem In would be those products of success. Much like their predecessors, this is a band that can make you cry as you dance the night away. And The Cloudbusting EP (derived from Kate’s 1985 single of the same title) rains down genius and prosperity over the unwilling to adapt.