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	<title>FensePost &#187; boise</title>
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	<description>indie music blog</description>
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		<title>Night Genes: Like The Blood [Album Review]</title>
		<link>http://www.fensepost.com/main/2012/01/06/night-genes-like-the-blood-album-review/</link>
		<comments>http://www.fensepost.com/main/2012/01/06/night-genes-like-the-blood-album-review/#comments</comments>
		<pubDate>Fri, 06 Jan 2012 13:00:22 +0000</pubDate>
		<dc:creator>Fense</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[boise]]></category>
		<category><![CDATA[night genes]]></category>
		<category><![CDATA[san francisco]]></category>

		<guid isPermaLink="false">http://www.fensepost.com/main/?p=18035</guid>
		<description><![CDATA[
Originated in Boise by Eric Ingersoll, Night Genes channels the likes of Tom Waits and Nick Cave with deep baritone folk. Accompanied by a trusty acoustic guitar, the songs Night Genes creates are light and playful &#8211; a contrast to the meditative and contemplative vocals and lyrics of Ingersoll. 
Thematically, Like The Blood ponders mortality and the quandary of the evolutionary progress of mankind; in other words, are we truly better off than the generations of past?  In a way, it reminds me a bit of 2011&#8242;s Apocalypse by ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.fensepost.com/main/wp-content/uploads/2011/12/night-genes-575x409.jpg" alt="Night Genes" title="night-genes" width="575" height="409" class="alignnone size-large wp-image-18036" /></p>
<p>Originated in Boise by Eric Ingersoll, <strong><a href="http://nightgenes.com/" target="_blank">Night Genes</a></strong> channels the likes of Tom Waits and Nick Cave with deep baritone folk. Accompanied by a trusty acoustic guitar, the songs Night Genes creates are light and playful &#8211; a contrast to the meditative and contemplative vocals and lyrics of Ingersoll. <span id="more-18035"></span></p>
<p>Thematically, <em>Like The Blood</em> ponders mortality and the quandary of the evolutionary progress of mankind; in other words, are we truly better off than the generations of past?  In a way, it reminds me a bit of 2011&#8242;s <em>Apocalypse</em> by Bill Callahan. </p>
<p>Joined by keyboardist Amy Foote&#8217;s operatic vibrato on select tracks, there&#8217;s always an element of surprise and obscurity with Night Genes.  You never quite know what to expect, and that&#8217;s half the fun of <em>Like The Blood</em>.  Rounding out the trio is David MacFadden-Elliott on percussion and samples.  </p>
<p>Look for the album on January 31.</p>
<p>Download: <strong><a href="http://fensepost.com/main/audio/111227-night-genes-cyber-me.mp3" target="_blank">&#8220;Cyber Me&#8221; by Night Genes</a></strong></p>
<p><img src="http://www.fensepost.com/main/wp-content/uploads/2012/01/night-genes-like-the-blood-300x297.png" alt="Like The Blood by Night Genes" title="night-genes-like-the-blood" width="300" height="297" class="alignnone size-medium wp-image-18138" /></p>
<p><em>[CD, 2012]</em></p>
<p>1. I&#8217;d Rather Feel Small<br />
2. Cyber Me<br />
3. Woods Are Full Of Animals<br />
4. Ornaments<br />
5. Jesus Bugs<br />
6. Soaring Through The Chromosomes<br />
7. Letting Go Of A Moonbeam<br />
8. Sweeper<br />
9. Sunset Tulips<br />
10. Life&#8217;s Not Too Short<br />
11. Peel The Paint<br />
12. Impression: Flood</p>
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		<title>Built To Spill: There Is No Enemy [Album Review]</title>
		<link>http://www.fensepost.com/main/2009/10/30/built-to-spill-there-is-no-enemy-album-review/</link>
		<comments>http://www.fensepost.com/main/2009/10/30/built-to-spill-there-is-no-enemy-album-review/#comments</comments>
		<pubDate>Fri, 30 Oct 2009 15:00:08 +0000</pubDate>
		<dc:creator>Fense</dc:creator>
				<category><![CDATA[Album Reviews]]></category>
		<category><![CDATA[boise]]></category>
		<category><![CDATA[built to spill]]></category>
		<category><![CDATA[warner bros records]]></category>

		<guid isPermaLink="false">http://www.fensepost.com/main/?p=7104</guid>
		<description><![CDATA[
To think back over a career of an artist like Built To Spill is, to an extent, the same as doing it for Radiohead or Death Cab For Cutie.  Albums come and go, and they&#8217;re all pretty damn great; they all hold their own, unique special place in your heart.  Revisiting the old albums bring back memories of where you first heard it, or experiences you had while it blasted over your speakers.  Sure, you have your favorite(s) and likely one you don&#8217;t care for too much. ...]]></description>
			<content:encoded><![CDATA[<p><img src="http://www.fensepost.com/main/wp-content/uploads/2009/10/built_to_spill.jpg" alt="built_to_spill" title="built_to_spill" width="500" height="300" class="alignnone size-full wp-image-7105" /></p>
<p>To think back over a career of an artist like <a href="http://www.builttospill.com/">Built To Spill</a> is, to an extent, the same as doing it for Radiohead or Death Cab For Cutie.  Albums come and go, and they&#8217;re all pretty damn great; they all hold their own, unique special place in your heart.  Revisiting the old albums bring back memories of where you first heard it, or experiences you had while it blasted over your speakers.  Sure, you have your favorite(s) and likely one you don&#8217;t care for too much.  <em>Perfect From Now On</em> has been, in my opinion, their strongest album since its release in 1997.  <em>There Is No Enemy</em>, their latest, gives <em>Perfect</em> a run for its money.  <span id="more-7104"></span></p>
<p>Its a fact discernible from the early moments of opener &#8220;Aisle 13&#8243;, where a wild distorted guitar solo kicks things into gear in a way much like you&#8217;d expect from those early albums, from songs like &#8220;Randy Described Eternity&#8221; or &#8220;Kicked It In The Sun&#8221;.  What stands out here, and throughout <em>There Is No Enemy</em>, are the powerful guitar riffs.  They&#8217;re in-your-face manner is stunning, but not impeding.  They are, in a manner of speaking, perfect.  Just listen to &#8220;Hindsight&#8221;; the laid-back slide guitar and percussive shuffle are the truly ideal backing to Doug Martsch&#8217;s vocals as he ponders <em>What about Canada?</em></p>
<p>Sure, <em>There Is No Enemy</em> does have that top-notch tracklist &#8211; a feat they most definitely achieved in <em>Perfect From Now On</em> &#8211; but comes very close.  And with time, maybe there will be that realization; that, a-ha moment in which you find that yes, maybe it is a match.  &#8220;Nowhere Lullaby&#8221; is almost too slow a song, but then &#8220;Good Ol&#8217; Boredom&#8221; begins and you&#8217;re left wondering where Built To Spill has gone altogether.  With initially odd instrumentation, that bewildered moment lasts only until Martsch joins in on vocals.  The song goes on to be one of the strongest on the album.</p>
<p>Built To Spill returns again to that surreal guitar sound in &#8220;Oh Yeah&#8221;, where their signature distortion again threatens epic proportions.  And boy does it deliver &#8211; this is the sound I&#8217;ve been waiting for from Built To Spill, the sound that basically <strong>is</strong> <em>Perfect From Now On</em> progressed twelve years.  Then they launch into the powerful riffs in &#8220;Pat&#8221; and that in-your-face moment beats you over the head.  Transition: flawless.  &#8220;Done&#8221;, too, goes into their signature, swirling guitar solos that&#8217;s one part that 90s gritty indie rock sound and another part a similar era shoegaze. </p>
<p>The final two tracks, &#8220;Things Fall Apart&#8221; and &#8220;Tomorrow&#8221;, conclude <em>There Is No Enemy</em> with two more high points.  After an excellent trumpet solo, &#8220;Things Fall Apart&#8221; again enters an epic rock-meets-shoegaze phase before quietly returning to the main melody, in which Martsch&#8217;s vocals are tweaked with a liquid-y effect.  Likewise, &#8220;Tomorrow&#8221; starts off slow and after just over a minute morphs into yet another powerful rocker.   </p>
<p>And as the album concludes it becomes apparent that this is, by far, Built To Spill&#8217;s greatest work since <em>Perfect From Now On</em>.  Sure, <em>Keep It Like A Secret</em> was totally solid, but this&#8230; this <em>There Is No Enemy</em>, this is something else entirely.  It radiates in Built To Spill&#8217;s genius.  It&#8217;s why we all fell in love with the band back in the 90s, and why we continue to buy their records today.  </p>
<p><a href="http://fensepost.com/main/audio/091030-built_to_spill-hindsight.mp3">Built To Spill: Hindsight [mp3]</a></p>
<p><img src="http://www.fensepost.com/main/wp-content/uploads/2009/10/built_to_spill-there_is_no_enemy.jpg" alt="There Is No Enemy by Built To Spill" title="built_to_spill-there_is_no_enemy" width="300" height="300" class="alignnone size-full wp-image-7108" /></p>
<p><em><a href="http://www.warnerbrosrecords.com/">Warner Bros. Records</a> [12" LP/CD, 2009]</em></p>
<p>1. Aisle 13<br />
2. Hindsight<br />
3. Nowhere Lullaby<br />
4. Good Ol&#8217; Boredom<br />
5. Life&#8217;s A Dream<br />
6. Oh Yeah<br />
7. Pat<br />
8. Done<br />
9. Planting Seeds<br />
10. Things Fall Apart<br />
11. Tomorrow</p>
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