
German Error Message returns with their first newly recorded material since a May 2011 single called In Comforting. The album, The Lifting, features seven new tracks and is available as a limited (to 25, so hurry!) cassette from Tent Revivalist Records and digitally from the same German Error Message bandcamp page. FensePost is excited to premiere “There’s a Place” off the new album. (more…)

FensePost is excited to debut the new Nick Jaina track “These Fair Hands” off his new LP, Primary Perception, out now on Portland label Fluff & Gravy. His sixth album overall but his first for Fluff & Gravy, Primary Perception promises a more theatrical sound from Jaina, full of additional instrumentation. And “These Fair Hands” is no exception. (more…)

I picked up a new toy a few hours before my show. My bike had been in the shop for a few days with a broken spoke and to get a new chain and cassette (the latter of which was a special order item), and I decided to try out a 2012 model Trek. Ended up using my old bike as a trade in and coming home with the new ride pictured above. With this kind of reckless spending, I needed a garage/psychedelic rock kind of night. (more…)

I love that astral, swirling hypnotic sound of bands that create deafening psychedelic rock. You hear it in Wooden Shjips and Moon Duo, and now in LA band JJUUJJUU. This duo consists of Andrew Clinco (Incan Abraham) and Phil Pirrone (Moon Block Party), creating a monumental, energetic sound in “G 4 A G” off their new three-song EP, Ancient’s Future. (more…)

I’ve been living in Skagit County for nearing five years now, and I have yet to truly crack the Bellingham music scene. For non-locals, which is likely 99% of you readers, Bellingham is 30 minutes north of the town I call home. This means that it, for the most part, the vast majority of Bellingham’s burgeoning music scene has gone unnoticed to me. This is something I hope to change, a desire that long preceded my discovery of Spokane-originated, now-Bellingham band SoccerMom. (more…)

Alright, so I was sent a sweet slab of vinyl: Black Rabbit by The Hague. My first impression of this band came with the song “Everyone”, which is somewhat reminiscent of early stuff by one of my favorite bands, Seattle’s sloppy pop band BOAT (minus the slop). Then there’s the angular guitars that hint of an early Minus the Bear. In its truest form, The Hague can be classified as a pop-rock band, but they add a surprising layer of strings throughout Black Rabbit that gives it a unique edge that goes well beyond the oversought dual-genre. (more…)

“Mamas Don’t Let Your Babies Grow Up to be Cowboys” is not a song you’d expect Black Lips to cover, but alas here it is, on the A side of this year’s Record Store Day split 7″ single from Saddle Creek with Icky Blossoms. And it works very well. Originally by Waylon Jennings and Willie Nelson, the song is remade slightly here with what I can only describe as a slightly drunk swagger. Black Lips propel the song along nicely with a little slide guitar and a southern drawl. It’s not the typical Black Lips, but there’s plenty here to like. (more…)

To be honest, I’m somewhat over Record Store Day. It has become over hyped, massively attended, and, frankly, I’m not much one for crowds. It is the Black Friday for music nerds. So I forewent shlepping it up to Bellingham and took a 25 mile bike ride instead. This left me plenty of time to make it to Anacortes and The Business for their 11am opening. (more…)

Not much can be found online about Belgian Fog. Belgian Fog is Robert Dale, a Los Angeles native who now resides in Seattle. There’s a single song, “Wait for Help”, on Soundcloud, a simple and minimal Facebook Page, and an equally minimal Twitter account. (more…)

Fishboy is one of my favorite bands because frontman Eric Michener approaches music in a different way than most musicians. His albums, at least the latest two in Classic Creeps and Albatross, follow stories chronologically throughout the album. They’re amusing, funny and lighthearted. While Classic Creeps was originally released back in 2011, Michener recently released an acoustic version of the album with a tour diary comic. (more…)