Friday evening was a mad house. Getting into the station wasn’t the issue, as I expect it will be in the coming weeks now that winter is upon us; it was the transition. Transitioning from one on-air personality to another is a bit nerve-wracking. The quarters are cramped, the mic is hot, and you have to do your best not to step on their toes as they wrap their show and you begin yours. And when it’s time to fly, you have to remember which buttons should …

I didn’t begin this show well. Stuarto had a pre-recorded spot and, given it was only my fourth show, I didn’t realize the little button up top where it said “iPod” needed to be on. This led to a little stumbling in the beginning on my part; I mumbled a few words then played several promos. After I realized the error of my ways (kudos to Stuarto), the show went off without a hitch. And it was a good one.
Lots of great tunes, many from Sweden, …

I figured with my previous show being devoted to songs that remind me of sleep, this one would be the opposite. After a few bouts of standard indie rock, things got thick and loud.

Being that my typical night consists of hitting the sack at around 10pm, and that my new radio show is Friday nights from 10pm to midnight, I figured that my second show would center around the theme of sleep. So I pieced together a playlist of bedroom pop, chill wave, dreamy shoegaze and what I’ve dubbed as psychedelic ambiance.

I entered the studio at about 9:35pm, meeting up with Stuarto, who has the time slot before mine. A quick interview about 15 minutes before my show, another few songs, and I was up. It was requested that I attempt a transition, and as indie music is my theme, and world music is his, I figured I’d kick things off with an oldie, but goodie: “The Gulag Orkestar” by Beirut.

It is with great excitement that I announce to you, my readers, that I am returning to radio. Tomorrow night, and every Friday night at least until the end of December, I — under the moniker Fense — will be broadcasting the latest in indie rock, pop, folk and more from KSVR 91.7 FM Mount Vernon. Tune your dial there locally, or stream at ksvr.org.

Summer is a time for fun, basking the sun, and enjoying good company. It’s winter, when things get quiet, that reflecting on the past and what’s to come is supposed to take place. Yet for the past few months Andi and I have been reflecting on society, life, and what it truly means to be happy. And we have decided to downsize tremendously to achieve our goals of a less burdened life; less burdened by things, stuff, and debt.

Fishboy returns after giving us Classic Creeps with a new video from “Aspen2k” off the album and a tour, which includes a number of performances around the Seattle area. “Aspen2k” is one of the more upbeat tracks off Classic Creeps and it features Fishboy main man Eric Michener, a look-a-like hand puppet, and some fun indie pop art.

Of late, I haven’t been much of a concert-goer. Shows tend to last too late for me, and festivals are often too packed. However, I love small, local festivals! In July we caught What The Heck Fest in Anacortes. For August, there’s Stanwood’s very own Slow Roots Festival.

Yesterday we covered a new track from Portland folk outfit Death Songs called “Wounds” off the new PDX Pop Now! compilation. We talked a little bit about the band and the song, and had a few words to say about the organization as well. That wasn’t enough; it’s high time I let slip a little something — we here at FensePost have been quiet supporters of the Portland festival.