One of my favorite elements of shoegaze is its tendency to combine monumental, spacey guitar riffs with dreamy, oft wispy vocals. Conduits excel at this pairing on their new track “Top of the Hill”. Likewise, the typical shoegaze darkness persists, all encompassing but not entirely overwhelming. There’s energy here, but it’s not the torment so often found in post-rock.

“Serpents” is a complete departure from Sharon Van Etten‘s early work. Admittedly, I missed her sophomore release, Epic from 2010, but was fully entranced by her debut, 2009′s Because I Was In Love. Here, she shatters the quietude of the stripped-down acoustic guitar of that earliest album with a folk-rock piece that is utterly haunting. Musically, “Serpent” may fit the title of her sophomore release, but it’s off her new album, Tramp, which was released yesterday via Jagjaguwar.

Black Marble is Ty Kube and Chris Stewart, who produce somewhat minimalist synth music. With a synth drum beat, a synth melody, and deep, dark vocals, “Pretender” is a song that is one part Joy Division, one part Craft Spells, and one part its own thing.
The song can be found on the band’s new EP via Hardly Art. It’s called Weight Against The Door and it’s out digitally now and on vinyl Valentine’s Day.
Download: “Pretender” by Black Marble.
[Audio clip: view full post to listen]

After a week away, it was nice to be back in the studio. This week I played several folk-related tunes, a few garage-based ones, and a small handful of indie pop tracks. With the amount of indie-folk I’ve played of late, I’m thinking we’re in store for another dreamy mix and maybe even a garage rock mix in the near future.

I’m no stranger to discovering new music already in my collection. One such band is The Horde And The Harem, who’s song “Gold Rush” has been an obsession of mine since I unearthed it a few weeks ago. “Gold Rush” was released on their Harvest EP way back in 2010. So after a quick Google of the band yesterday evening, I discovered they have a brand new LP out (day of, nonetheless!) called A Long Midwinter… out February 2!

I sometimes find the diversity of my own musical tastes a bit bizarre. Just as apt to toss a classic jazz album like Kind of Blue onto the record player, I too have no qualms listening to the loudest of garage rock then switching over to something a bit folky. Especially if it’s fringe folk; artists that pack their folk-pop with instruments, take on an old-timey sound, or even head down an art-folk, freak folk, or experimental folk path.

Portland’s Y La Bamba returns Februar 28 with a new record called Court The Storm on Tender Loving Empire. The band has just released “Squawk”, the album’s opening track, and we hear a similar South American-influenced art folk we received on their debut full-length Lupon from 2010. “Squawk” features harmony vocals, hand claps, and wild melodies. Check out the song below and keep an eye out for the new record!
Download: “Squawk” by Y La Bamba
[Audio clip: view full post to listen]

Guy Capecelatro III’s last name may be hard to pronounce, but the list of people he’s opened for are anything but. This list includes the venerable Elliott Smith, Bill Callahan’s SMOG, and the late Vic Chesnutt. Furthermore, he’s a frequent collaborator in a current favorite: Brown Bird. Excited yet? I am.

Isidore, if you’re unaware, is Jeffrey Cain (formerly of Remy Zero) and Steve Kilbey (The Church), with the former on instrumentals and the latter lending vocal expertise. The collaboration came as a surprise, after Cain passed along an instrumental album to Kilbey only to receive it back later with vocals added in. The duo is now poised to release Life Somewhere Else on Valentine’s Day.

I wasn’t originally planning on doing a show this evening, but decided to take my normal spot behind the microphone anyway. So the playlist didn’t begin coming together until the evening of. There was no theme, it was all variety; folk to electronic to noise rock.