Goldcure (MySpace) has the sound of Brit Daniels’ Spoon, both in voice and in backing instrumentation. Thus it should be no surprise that the band hails from Spoon’s hometown of Austin, TX. However, Goldcure injects a bit more country into the veins of their songs, from the title track of their upcoming Portugese Prince to the ballad-esque closer “Beautiful Disaster”.

Written by Fense
My FensePost inbox is out of control. Recently, it topped 500 messages, most of which I had yet to read. Thanks to a bit more free time of late, I am finally beginning to tackle this mass o’ crap and get some shit done. One item that surprisingly slipped through the cracks was the video for “Anne Boleyn” by French-pop Portlanders Eux Autres (MySpace).

Written by Fense
Wow, everyone seems to be channeling 60s and 70s folk these days and you can add The Moondoggies to that ever-growing list of bands. Don’t Be A Stranger can be found somewhere between the folkier side of Crosby Stills Nash and Young, and country-ish side of Neil Young himself. All this is apparent in opener “Ain’t No Lord”. Hell, you can even toss The Band and Lynyrd Skynyrd and Grateful Dead in as further influences.

Written by Fense
Following the path of Swedish artists like Tafra and Springfactory—both familiar names to the Series II Records crowd—Oh Sweet Music! is another lovable twee-ish Swedish pop group. The band features several members, some of which simply are “friends on stage”.

Written by Fense
Spin recently took the exclusive debut of The Lovely Sparrows’ (MySpace) video for “Year Of The Dog” and I initially found it astonishing that they related the Sparrows to Neutral Milk Hotel—I mean, The Lovely Sparrows are distinctly folk-pop and while NMH included some of these traits in their music, the emphasis was almost always on the pop.

Written by bob_vinyl
This documentary was clearly released in tandem with Control and, while that was surely a good move commercially, it makes it difficult to get as involved in this versus Anton Corbijn’s brilliant dramatization. Of course, the two aren’t quite the same, Control being the story of Ian Curtis and Joy Division the story of the band itself. Nevertheless, this documentary has a hard time getting out of the shadows of Control.

FensePost reviews Nothing Is Precious Enough For Us by Death Vessel

Do not let your eyes deceive you. This is not the first FensePost… er… post. FensePost has simply been updated to reflect the changing times. We needed a major overhaul and switching content management systems led to such an overhaul.
In fact, FensePost originally launched in June of 2006 and the old version of FensePost will remain intact due to countless link-backs to specific URLs on FensePost.com from other blogs, bands we’ve covered, and labels we’ve mentioned.
To read more than 500 archived album reviews and …